As the Yippies prepared for protests at 1968 Democratic National Convention, Yippie Paul Krassner rattled Chicago leaders by suggesting that the Yippies were planning to put LSD in the city water supply. As Abbie Hoffman said at the Chicago Seven trial: "I read in the paper the day before that they had 2,000 troops surrounding the reservoirs in order to protect against the Yippie plot to dump LSD in the drinking water.
A series of three animations and posters to support the campaign titled: Stop the Coal Monster.
Our demands of Nelson City Council and Tasman District Council:
- Prohibit new resource consents for coal use or mining, effectively immediately.
- End all existing consents for coal use or mining by 2025.
- Ensure adequate monitoring of all current coal users.
Work ideology centers around sustainable work. Through fifteen interviews, workers and prospective workers were interviewed about their experiences with work and the job search. Those interviews are analyzed and compiled on work ideology. However, work ideology goes further than showcasing the interview results, it allows for anonymous responses to be entered as well, expanding the research’s accessibility to every worker.
On December 1, 1994 also known as World AIDS day, participating members from LSD (Lesbianas Sin Duda), La Radical Gai, and other allies sought out to protest against the push back of rejection that many of them were receiving from the medical and social perspective.
In the 1980s, Holzer and Lady Pink used New York as a backdrop for their artworks: Holzer wheatpasted posters and slogans on walls throughout Manhattan, and Lady Pink spray-painted graffiti on buildings and subway cars. The two also collaborated on a series of paintings on canvas, such as this work, for which Holzer composed phrases and Lady Pink did the painting.
Mural artists add color and flavor on 800 South in the Granary District of downtown Salt Lake City. There’s an old-fashioned bar on the side of a locally-owned brewery, and a Southern Utah landscape on another building. Down the street, on the south corner of 800 South and 300 West, there’s a new mural that’s far more potent.
The Amplification Project: Digital Archive for Forced Migration, Contemporary Art, and Action (https://theamplificationproject.com) is a community-led participatory public digital archive to which any artist and activist can document, preserve and share their work inspired, influenced, or affected by forced migration.
In Tunisia, a country gripped by economic uncertainty and still in the midst of rebuilding its identity after the Arab Spring, hip-hop culture is viewed as part of an ongoing dissident movement. Just a few events, such as the recent Mafia Wallitili Festival in the heart of downtown Tunis, offer the local hip-hop community an opportunity to share their values with the broader population.
The 2013 protests in Turkey started on 28 May 2013, initially to contest the urban development plan for Istanbul's Taksim Gezi Park. The protests were sparked by outrage at the violent eviction of a sit-in at the park protesting the plan.
We are sitting at a dhaba – a roadside tea-shop in Pakistan often frequented by lower-to-middle income men. At our table: four women and camera crew. The reporter from ‘one of the most globally viewed’ [read: western], mainstream British outlets looks me in the eye: “So, how safe do you feel at the moment? We were just surrounded by a group of little boys [because of the cameras], do you think the situation can ever turn on you?"
In 2019 before the annual San Fermin festival 54 protesters from around the world representing AnimaNaturalis and PETA held a demonstration against the cruel sport of bullfighting. The celebration of culture and religion subsequent to the murder and torture of dozens of bulls is the spectacle of San Fermin that draws an army of international tourists to the small city of Pamplona.
Exhibition visitors have expressed feelings of uneasiness or even pain and nostalgia when seeing Colored Vases by Ai Weiwei1. The 51 vases that make up the artwork are originally treasures from the Neolithic Age (5000–3000 BCE) and the artist has dunked them in common industrial paint.
Why did Ai Weiwei do it?
In May 1992, a series of 24 billboards displaying an identical image began appearing throughout New York City. They featured a giant close-up black-and-white photograph, without text, of a rumpled bed, pillows still indented from the heads that had rested there.
Gender equality charity Women of the World (WOW) is launching a one-day festival of activism that invites people from all generations, genders and backgrounds to take part in conversations around sexual violence.
Immersing in the art is what they are known for. As they slowly reopen, so is their annual public art and performance festival. Their mission statement says:“AiOP reminds us that public spaces function as the epicenter for diverse social interactions and the unfettered exchange of ideas.” The title of NORMAL is to push the boundary of what is.
#thisisnotamask
Covid-19 Pandemic Rubber Stamp Currency Intervention
Website: https://thisisnotamask.tumblr.com/
For more information:
Joseph DeLappe artist/activist – j.delappe@abertay.ac.uk
Brent Richardson media artist – brent@BrentRich.com
Let’s mask the presidents!
El Rey de la Ruina (The King of the Ruin) has become an act of powerful recognizable symbolism throughout Madrid. In terms of his popular heart symbolism, the artist chose the organ, a heart, as one of his favorite symbols because he was diagnosed when he was little with cardiomegaly, an abnormal increase in the volume of the heart, which is what inspired this organ as his prize art symbol.
Flower power was a slogan used during the late 1960s and early 1970s as a symbol of passive resistance and nonviolence. It is rooted in the opposition movement to the Vietnam War. The expression was coined by the American Beat poet Allen Ginsberg in 1965 as a means to transform war protests into peaceful affirmative spectacles.
An exercise that used drama/and audio visuals to engage with with all election partners, especially the political parties especially the political parties and their candidates/leaders, Electoral Commission, Musicians Association of Ghana, etc to push for a free, fair and peaceful Presidential and Parliamentary election and hand over of power to who ever won the elections peacefully.
Serene colors and technical set pieces create a surreal ambience as performers delicately hover into the black void above the stage. These performers belong to Kinetic Light, an "internationally-recognized disability arts ensemble". In 2022, the ensemble performed Wired, a "potent contemporary aerial dance performance that explores race, gender, and disability stories of barbed wire in the United States".
Caleidoscópica Violeta, is a creative space for reflection, dialogue, critique, and praxis of pop contemporary feminism. It is also an initiative that seeks to reflect on the role of women in the history of modern art. Historically, the role of women in art has been stolen by the patriarchy. Recognizing this as a feminist artist, I propose this festival as a way to open new spaces for women protagonists in the arts.
Indigenous designers often use fashion to celebrate their culture and raise awareness around key issues affecting their community. Now, the spirit has come to the modeling world. Haatepah Clearbear is a full-time model, based in Los Angeles, who is using his platform to uplift his people. The 22-year-old’s personal Instagram page serves as a hub for his activism work, where he highlights everything from climate change to indigenous rights.
Realizing the lack of a safe community within the Northern Utah Area, Sammy, a highschooler from NUAMES in Davis County, started his project “I Matter” with a series of interviews in which he found this sentiment echoed. That’s why Sammy created “I Matter”, I Matter is an organization just for Northern Utah Teens.
Created by and for women, Broccoli is an independent print magazine based in Portland, Oregon. Although intended for cannabis users, Broccoli is an art and lifestyle magazine that bills itself as “playful, informed, eclectic, and thoughtful.” It encourages the discovery and appreciation of cannabis through explorations of art, culture, and fashion.