The Guardian:
Olafur Eliasson is putting the chill into climate change. The revered Scandinavian artist has placed 24 large blocks of centuries-old ice, harvested from the Nuup Kangerlua fjord in Greenland, in a circle outside the Tate Modern in London, with another six on display in the City.
A performance in support of a bill banning the catch of cetaceans for cultural and educational purposes in Russia. The bill was supposed to pass readings in the lower house of parliament but unfortunately it was postponed; this activity is meant to help generate support for it to pass. The action was timed to coincide with the World Whale and Dolphin Day (Feb 19).
Demonstrators aligned with the Occupy Wall Street movement sang their way into handcuffs during a Bronx foreclosure auction Monday to protest the housing crisis that continues to plague the borough.
They serenaded a courtroom of real estate investors with the lyrics, "Y'all are speculating off people's pain. With all due respect, you should be ashamed."
In 2005, Emad Burnat got a video camera to record the birth of his son. That same year, Israel's security barrier went right through his village of Bil'in in the West Bank. The fence cut off some fields and olive groves on the other side.
When protests broke out against the establishment of the barrier, Burnat became the unofficial cameraman for the weekly anti-wall protests that drew support from around the world.
El Rey de la Ruina (The King of the Ruin) has become an act of powerful recognizable symbolism throughout Madrid. In terms of his popular heart symbolism, the artist chose the organ, a heart, as one of his favorite symbols because he was diagnosed when he was little with cardiomegaly, an abnormal increase in the volume of the heart, which is what inspired this organ as his prize art symbol.
"When it comes to the effects of the virus on black lives, the roots run deep.
⠀⠀
This is one of the hardest illustrations I’ve ever done. Not because of the tree - but because of the overwhelming nature of the subject at hand. Seeing headlines like “Blacks are Dying at Higher Rates from Covid-19” SHOOK me!
⠀⠀
Introduction: The Ambulatory Free States of Obsidia
The Ambulatory Free States of Obsidia is a tiny, Matriarchal, Micro-nation located at the confluence of feminism and geography.
Grand Marshal Yagjian's Great Vision for The Ambulatory Free States of Obsidia came in 2015 when its land claim was 'liberated' from a former lover’s house for a greater purpose.
Mimicking the look of iconic "Greetings From" postcards, Manuel and Patricia Oliver, parents of Joaquin Oliver who died in the Marjorie Stoneman Douglas High School shooting, created "Shamecards" featuring 52 cities from around the United States.
On March 9, 2018, China's largest feminist platform "Voice of Women's Rights"'s Weibo account and WeChat official account were permanently suspended. Before being blocked, its Weibo account had 180,000 fans and the Wechat account had 70,000 fans. In order to retrieve the account, the staff of "Voice of Women's Rights" conducted a long-term struggle to defend their rights.
Without having been commissioned—or even given legal permission at all—Haring set out to create Crack Is Wack on the wall of an abandoned handball court in a park at 2nd Avenue and East 128th Street on June 27, 1986. Upon the completion of the mural, Haring was arrested by the New York City Police Department for vandalism of city property and faced potential jail time in addition to heavy fines.
In recent years, a fashion for painting the human figure has preoccupied the art world, with an emphasis on race, gender and other urgent social issues. Yet another pressing topic in America has been curiously absent from art: abortion, which became all the more timely when the Supreme Court overturned Roe v. Wade in June.
On September 5th, 1991, I put a giant condom over Jesse Helms’ house. Why? Because, as the condom said, “Helms is deadlier than a virus.” Senator Jesse Helms was one of the chief architects of AIDS-related stigma in the U.S. He fought against any federal spending on HIV research, treatment or prevention.
In a gallery in Hong Kong’s Chai Wan district last week, during the city’s third annual installment of the international Art Basel fair, the Beijing-based artist Huang Rui introduced a new live work called “Red Black White Grey.” At the start of the performance, four affectless women walked onstage wearing trench coats, then disrobed one by one as Huang, who is sixty-three, slathered their bodies with black and then white paint.
Deportation Class is a satirical project by European anti-deportation activists protesting European airlines who agreed to cooperate with deportation agendas. Together, these airlines are referred to as the Deportation Alliance. The activists designed a faux luxury offering on behalf of each airline, showcasing the attractive perks of flying "deportation class."
In 2008, my work as an artist took me to a gigantic landfill outside Rio de Janeiro called Jardim Gramacho. After operating for more than 30 years, the sanitary facility, once one of the largest in the world, had reached its maximum capacity and was on the eve of closing permanently.
From 1993 to 1998, Spanish activist group Lesbianas Se Difunden (LSD) produced and published a collection of texts and visuals called Non-Grata (Snyder 10), using erotic images of the female body and sexual relationships to capture their audiences’ attention. Within these graphic publications would be calls for queer activism, female freedom, anti-capitalist critiques, and the overall necessity for protest (Snyder 10).
Kanami Kusakima, also known as the woman who dances in Washington Square Park with the long black hair and the paint, was happy to allow the Mayor's Office of NYC use her image as a promotional tool for a "post-coivd" New York. Yet, she has had multiple encounters with police who want to shut her performance down.
n Saturday, thousands of women in red, black, and white gathered together in Seoul for what many consider the largest women-led protest ever in South Korean history.
Her name is Zaria Forman, a leading artist in contemporary art with a cause. She is not only an exceptional human being; she is also an incredible American drawer who uses art to convey the emergency of climate change.
Zaria’s ultra-realistic drawings explore moments of raw beauty, peace in the landscape, power in the ice and transition that allow the viewers to emotionally connect with places they may never see in real life.
On April 24, 2013, more than 1,000 lives were taken in the Rana Plaza Collapse. While history remembers this tragic event as the deadliest garment factory accident, activist and photographer Taslima Akhter reveals a story of dreams crushed by structural murder. Dedicating her career to the lives and struggles of garment workers in Bangladesh, she has continued to foster a community rallying together for safer working conditions.
In Pittsburgh, Memphis and Los Angeles, massive billboards recently popped up declaring, “Birds Aren’t Real.”
On Instagram and TikTok, Birds Aren’t Real accounts have racked up hundreds of thousands of followers, and YouTube videos about it have gone viral.
Last month, Birds Aren’t Real adherents even protested outside Twitter’s headquarters in San Francisco to demand that the company change its bird logo.
"An atmosphere of fear and anger spread across Myanmar this week as millions of people awoke to find out the military had taken control, ousting the elected government.
But how do you fight back in a country where protests have been violently suppressed before?
For some, it has meant putting pen to paper and taking the battle online.
Located in Thomas Paine Plaza, across the street from City Hall, Hank Willis Thomas’s All Power to All People was a public art intervention that dealt with racial identity and representation in Philadelphia.
Joining art institutes nationally, a film on the 1921 Tulsa Race Massacre will premiere at the UMass Amherst Arts Center. This is especially important given its will be the 100th anniversary of the tragic event of when "Black Wall Street" was burned to the ground. It is widely known as one of the most violent events, let alone racially charged ones, in US History.
Prison inmates in Mexico have suffered from coronavirus infections at a higher rate than the country as a whole, and pandemic lockdowns have reduced their already limited contact with the outside world.
But one group of women inmates at a prison west of Mexico City have managed to benefit, as the lockdown spurred a wave of professionals with time on their hands to donate online classes.