“As an educator, I want people to have a sense of empowerment. I want them to have ownership of their own creative experience. It’s a very humane thing knowing we are inherently creative.”
About 6 months before the fall of the Berlin Wall in November 1989, installation artist Marc Thompson began conceptualizing and constructing an installation that would reflect the absurdities of the divided city. Thompson´s work was part of the Ressource Kunst exhibition.
We Animals is an ambitious project which documents, through photography, animals in the human environment. Humans are as much animal as the sentient beings we use for food, clothing, research, experimentation, work, entertainment, slavery and companionship. With this as its premise, We Animals aims to break down the barriers that humans have built which allow us to treat nonhuman animals as objects and not as beings with moral significance.
During Wednesday’s Senate hearing on the Equifax data breach, a protester dressed as the “Monopoly Man” from the board game photobombed Equifax CEO Richard Smith’s testimony.
While the CEO discussed his company’s breach that affected 145.5 million people, the protester gazed skeptically through a monocle at the back of his head.
QUESTION: Year after year, decade after decade, you alert the legal authorities to cruelty violations and suffering animals in peril, yet nothing ever happens. You know for a fact there are thousands of screaming and suffering hens inside a factory farm and you know the authorities will once again turn a blind eye, so what do you do?
In 1932, Bennett Cerf, cofounder of Random House Publishing, acquired the rights to publish James Joyce’s Ulysses in the United States, believing that the book would be as successful as it had been throughout Europe. But Cerf had a problem. The book was banned in the United States and would be seized as soon as it came off the printing press, which would lose Cerf millions of dollars.
Spanish citizens held the first hologram protest in history in order to protest without violating the new draconian guidelines of the National Security Act, the new amendments to the Penal Code and the Anti-terror law. Thousands of people marched past a Spanish parliament building in Madrid over the weekend weekend to protest the new law that they say endangers civil liberties. But none of them were actually there.
A converted school bus with the sawed-off top is taking Mexico City visitors on the "Corruptour", a visit to the country's seedy underbelly of murderous misdeeds and multibillion-dollar graft by public officials.
Jews For Palestinian Right of Return
January 1, 2013
“For Palestinians, the right to return home and the right to live in dignity and equality in their own land are not any less important than the right to live free of military occupation.”
–Prof. Saree Makdisi[1]
For more than a century, Zionists have sought to construct a “Jewish state” through forced removal of the indigenous Palestinian people.
Post revolution Tunisia is all too familiar with protest – usually through demonstrations - but one group of activists are using the power of street art to get their message across. Calling themselves “Fanni Raghman Anni” (Arabic for “My Art in Spite of Myself”), the group simply scouts the streets of Tunisia bringing theater and drama to random passers-by.
This is Marina Abramović's first attempt to interact with the audience on the spot, allowing the audience to become part of her work. Guns, bullets, kitchen knives, whips and other dangerous items), the audience can use any item to do whatever they want to her. Due to the unpredictable danger of the work, Marina promised to take full responsibility for the performance of the performance art.
Serene colors and technical set pieces create a surreal ambience as performers delicately hover into the black void above the stage. These performers belong to Kinetic Light, an "internationally-recognized disability arts ensemble". In 2022, the ensemble performed Wired, a "potent contemporary aerial dance performance that explores race, gender, and disability stories of barbed wire in the United States".
Marian Anderson, the legendary African American contralto, sang at the Lincoln Memorial on Easter Sunday in 1939 after she was refused a performance at Washington’s Constitution Hall by the Daughters of the American Revolution because she was black. Over 75,000 people attended the performance, which was broadcast live on the radio and arranged in part by First Lady Eleanor Roosevelt with the support of her husband, President Franklin D.
"The mandate for great and difficult achievement is manifest in the message coming from the science of sustainability and climate change. Yet information alone will not take us where we need to go; science needs the arts to compel a response. It is the synergy of these two great human enterprises that creates both intellectual and emotional clarity.
The National Gallery's long-standing sponsorship arrangement with weapons manufacturer Finmeccanica has ended, following a campaign by Campaign Against Arms Trade to 'Disarm the Gallery.' The arrangement has been terminated one year early and just weeks before the next protest event was planned.
A year after the revolution, Egypt is still in conflict, still grasping for a catalyst to solidify its society and bring unity and peace to the people. Violence, poverty and unemployement are still rampant, and the voiceless still seek a voice.
As was the case in 2011, Hip Hop has reemerged as a voice for the Egyptian youth for 2012, with new challenges and frustrations countering their struggle for freedom and equality.
“The Feminist Zine Fest showcases the work of artists and zine makers of all genders who identify on the feminist spectrum, and whose politics are reflected in their work. For the second consecutive year, Barnard proudly hosts the zine fest, welcoming approximately 40 zine-makers eager to share their work.
When President Trump announced the US departure from the Paris Climate Accord on 1 June 2017, his enjoyment at walking over the efforts of national delegations and hundreds of pressure groups across the world who fought for that deal was palpable. I was in Paris in December 2015 during the negotiations, when the possibility of a global agreement was merely that, a fragile potential.