Sarah Silverman Wants to Pop Your Bubble
With her new political variety show, “I Love You, America,” the stand-up comic aims to unite red and blue. But can TV really change minds?
By Jason Zinoman
Oct. 4, 2017
In March 2013 we started a grassroots boycott movement against Coca-Cola for exploiting legal loopholes to kill off container deposit recycling in the Northern Territory. We simply used the same successful strategy as the ANZ Out of Order action, putting out of order signs on Coca Cola vending machines and posting the photos on social media.
... is this for protest? Perhaps. As is described online, it mentions that there was an attempt taken to challenge power relations, specifically between men and women; however, what I find most fascinating about this 'action' is that it 'demonstrates' the discrepancy between the female body as depicted in the painting, The Origin of the World, and the physically present form of Deborah's own body, i.e. genitalia.
“Teilchenbeschleuniger” ist ein investigatives Kunstprojekt des Künstlerduos 431art, welches Atomenergie kritisch reflektiert. Der “Teilchenbeschleuniger” verteilt Teilchen namens “Jülicher Törtchen”, “Brokdorfer Mürbchen” oder “Muffins Fukushima” an die Bevölkerung.
A series of three animations and posters to support the campaign titled: Stop the Coal Monster.
Our demands of Nelson City Council and Tasman District Council:
- Prohibit new resource consents for coal use or mining, effectively immediately.
- End all existing consents for coal use or mining by 2025.
- Ensure adequate monitoring of all current coal users.
Project IMPACT is an 8-week leadership-through-storytelling workshop for teen survivors of commercial sexual exploitation. The goal of Project IMPACT is to introduce survivors to the idea that sharing their stories is a powerful advocacy tool that can impact the legislative process and work to combat sex trafficking and commercial sexual exploitation.
“As an educator, I want people to have a sense of empowerment. I want them to have ownership of their own creative experience. It’s a very humane thing knowing we are inherently creative.”
This wonderful campaign of Earth Action Network against mountaintop removal coal mining focused not on the invulnerable mining companies, but on the banks that financed them - and especially PNC, which based its growth model on recruiting university students. It stopped both PNC and then, because of that, ALL banks from financing mountaintop removal coal mining.
Imagine walking into a silent room where a woman is mending. Now imagine that she's sitting underneath 1,500 pairs of sharp Chinese scissors that are suspended from the ceiling, precariously pointed downwards. This was the idea behind The Mending Project by Beili Liu.
In her curatorial project Making Way, Ruth Simbao brought together works that complicated the idea of globalization’s effect on African nations, especially the idea that the new phase would usher in an almost frictionless movement of labor and capital across borders. Works by artists like Athi-Patra Ruga reflected on questions of how bodies moved through settler colonialist spaces.
Hoax: The London 2012 Olympic Games website was faked by group CAMSOL
The official London 2012 Olympic Games website was faked on Wednesday by protesters demanding that BP be dropped as one of the event’s official sponsors.
Published April 13, 2012 on The Telegraph UK by Jacquelin Magnay
'Jealousy Ms. Vy' is a creative project of the Institute of Occupational and Environmental Health, in collaboration with musician Khac Hung, singer Min and singer Erik.
Through this project, we look forward to empowering and trusting the community, so that we can join hands to combat COVID-19 (aka nCoV-2019).
While governmental support for arts and culture is often meager, the Brazilian national government has recently demonstrated great interest in the industry. They've just introduced a "cultural stipend," which provides workers with 50 real (roughly $25) per month for arts and cultural expenses. The allowance covers personal spending on things like movies, concerts, books or museums.
In 1984, a group of women in New York gathered outside the Museum of Modern Art as part of a protest. A group show, An International Survey of Recent Painting and Sculpture, was showing 165 artists, 152 male artists exhibited alongside just 13 women.
Outraged, they attended the protest, bringing placards and chanting outside the museum. But a handful of women within the larger crowd learned something.
Nanjing, a picturesque city lying by the Yangtze River, owes its fame to its favorable geographic position, galaxy of talents and profound historical background. Having served as the capital of ten dynasties in ancient China, its splendour has remained and even enlarged with an extended population up to 600,000 when the government of the Republic of China set up its capital there in 1927.
The average crow takes less than two hours to travel from Sing Sing maximum-security prison to the Whitney Museum of American Art, institutions separated by just 32 miles of land along New York’s Hudson river. Yet few humans journey between them – museums and prison are at opposite ends of our society’s self-imaginings, and their populations tend not to intersect.
Bob and Roberta Smith has been at the forefront of activist art for 2 decades; so who better to ask about how art is responding to these politically bleak times?