Born to Heal, a documentary exploring the life of Native American healer, Russell FourEagles, and a handful of the lives he has touched.
Growing up in a tarpaper shack in the north woods, Russell FourEagles was born to be a healer. His grandmother chose him to learn the accumulated wisdom from over 200 generations of family healers.
Voina conducted a wake for absurdist poet and Soviet-era dissident Dmitry Prigov, featuring a table with food and vodka, in a Moscow Metro car. Originally, they had planned an action involving Prigov but he died before they were able to implement it. They later carried out a similar action on the Kiev Metro. As an art collective, Voina is testing the boundaries of performance art. As activists, they are testing the patience of Russian authorities.
Oakland-based artist-activists Melanie Cervantes and Jesus Barraza teamed up to form Dignidad Rebelde, a graphic arts collaboration working for social change. They believe that art can be an empowering reflection of
community struggles, dreams and visions, and following principles of
Xicanisma and Zapatismo, create work that translates people’s stories
“The Grace Period” is a live blogging platform with seven anonymous contributing bloggers called: Monday, Tuesday, Wednesday, Thursday, Friday, Saturday and Sunday. Through, videos, writings, and visuals they present multiple perspectives of landing/creating a meaningful job after school in a country where personal and national debt is high and jobs are few. In this environment, will our creative spirits be resilient?
Human rights activism relies on an ability to tell stories to diverse audiences that will inspire action toward justice. Distributing information through journalism, whether it be traditional or new media, is the standard method of raising awareness. Globalization and the movement of people means that activists and artists from affected communities may cooperate to mutual benefit and find new audiences in the process.
Asian Americans standing up for themselves, the Black Lives Matter movement, and their home: New York City
In 2020, as COVID-19 flared through New York City and NYC hospitals saw a spike of nearly 200,000 patients, Asian and Pacific Islanders (APIs) faced an added threat: blame, racism, and xenophobia.
The Resistance Arts Trust Political Action Committee is a Super PAC with the mission of challenging great Artists to create public works of political art meant to inform communities, start conversations and drive media coverage on progressive issues, and empowering artists and the arts to a greater role in American political discourse.
AN UNPRECEDENTED COALITION of workers from some of America’s largest companies will strike on Friday. Workers from Amazon, Instacart, Whole Foods, Walmart, Target, and FedEx are slated to walk out on work, citing what they say is their employers’ record profits at the expense of workers’ health and safety during the coronavirus pandemic.
At the peak of her career in 1976, Georgia O’Keeffe refused to lend her work to a pivotal exhibition in Los Angeles, “Women Artists: 1550 to 1950.” It was one of a wave of all-female shows — some 150 — that decade to spotlight artists largely ignored by major museums and galleries. But O’Keeffe, the most famous female artist of her day, saw herself in a different category — “one of the best painters,” period.
Anti-Fur advocates have been protesting through demonstrations for decades, throwing red paint on women wearing fur coats, passing out leaflets and sporting the slogan “Fur Is Dead” on t-shirts and stickers and spray-painting it on buildings in cities throughout the globe.
The Bed-Stuy Aquarium (also known as the Hancock Street Bed-Stuy Aquarium) is a makeshift goldfish pond located on a sidewalk in the Bedford-Stuyvesant, Brooklyn neighborhood of New York City. The pond, originally formed by a puddle from a leaky fire hydrant, garnered attention from locals and the press beginning at the time of its creation in August 2024.
Danish 26-year-old art student Nadia Plesner designed this T-shirt depicting a Darfurian child holding a Louis Vuitton handbag as commentary on global disparity as it relates to war, developing nations, commercialism, and media.
In 2006, the fashion house sued Plesner for her appropriation of their trademark. The case was subsequently dismissed.
Access Denied is a working project that started in 2015 that deals with inaccessible art spaces around Los Angeles. I am a physically disabled person who has been going to visit art shows for over 10 years and during that time I have experienced many instances of Inaccessibility. After many instances of exclusion I could no longer ignore my experience so I decided to make work about my denied access.
From 99 Percent Invisible:
By the late 1980s, AIDS had been in the United States for almost a decade. AIDS became the number one killer of young men in New York City, then of young men in the country, then of young men and women in the country.
Time as currency is an interesting economic model related to artistic practice.
According to the creators of Time/Bank, Julieta Aranda and Anton Vidokle, the project "is a tool by which people or a group of people can create an alternative economic model where they exchange their time and skills, rather than acquire goods and services through the use of money or any other state-backed value."
On September 27, 2022, a song by Iranian musician Shervin Hajipour ‘broke’ Persian social media. Hajipour posted a video on Instagram of himself singing a song for the mass protests that began in Iran following the death of Jina (Mahsa) Amini. Its lyrics were composed of tweets from members of the Iranian Twittersphere explaining what the protests meant to them, what they were fighting for and what was at stake with the hashtag #برای (for the sake of).
On the International Day of Education with students we have organized that creative action to ironizing the phenomenon of corruption in education.
We founded “University of Corrupted Sciences” as a symbol of all the issues that have characterized the education system in our transition years.
My skin is black,” the first woman’s story begins, “my arms are long.” And, to a slow and steady beat, “my hair is woolly, my back is strong.” Singing in a club in Holland, in 1965, Nina Simone introduced a song she had written about what she called “four Negro women” to a young, homogeneously white, and transfixed crowd.
Everyone knows that unemployment is one of the most serious problems that plagues society today. Yet, even though this problem is widely acknowledged, it remains difficult for many people to relate to and truly understand the personal hardships that unemployment gives rise to.
Last Friday, Pablo Picasso’s Buste de Femme, (1943), was put on display at the International Art Academy Palestine in Ramallah. Marking the very first time that the Picasso’s work has been shown in Palestine and as the result of a loan request to the Van Abbemuseum in Eindhoven, this project is the tenacious vision of artist Khaled Hourani (also the Artistic Director of IAAP).