Jay-Z rapped alongside side Bono, the Edge and Rihanna; Coldplay's Chris Martin moonlighted as Beyoncé's piano player; Justin Timberlake covered Leonard Cohen — and those performances, from January 22nd's multinetwork, $66 million-grossing telethon for Haitian earthquake victims, were just the most visible of musicians' efforts to raise funds.
“Thank you!”
That’s how comedian Michelle Wolf answered Sean Spicer’s declaration that her headlining stand-up set at the the White House Correspondents’ Association dinner was “a disgrace.” Her response is instructive: To Wolf, an insult from Spicer is an accolade – and accolades, surely, would be an insult. She’s right.
The Improv Everywhere team created separate walking lanes for tourists and New Yorkers on a Fifth Avenue sidewalk. Department of Transportation “employees” were on hand to enforce the new rules and ask pedestrians for their feedback on the initiative. Enjoy the video first and then go behind-the-scenes with the photos and report below.
You could hear their chants from the White House.
On June 6, hundreds of activists and protesters gathered on Black Lives Matter Plaza, a two-block section on 16th Street in Washington D.C. that was renamed amid BLM protests.
Jessica Williams talks about women's experiences with street harassment in New York with a satirical approach on how to avoid this unwanted attention.
http://www.cc.com/video-clips/5ndnit/the-daily-show-with-jon-stewart-jes...
By Latoya Peterson, Racialicious
Looking for a way to celebrate the folks who raised you–but from a slightly different perspective than you would get down at Hallmark? The good people over at Strong Families (a project of Forward Together/Asian Communities for Reproductive Justice) present Mama’s Day, a multicultural, queer-friendly celebration of the folks who do some of the most significant (and unpaid) work in our society.
In 1998 Portuguese born artist Paula Rego created a series of work entitled Untitled. The Abortion Pastels. Rego created her work in response to a referendum to legalise abortion in Portugal, which was very narrowly defeated. Each canvas depicted the image of a woman undergoing an unsafe abortion. When the series was exhibited in the Portuguese capital, Lisbon, Rego recalled the whispered secrets of women in the gallery while looking at her artworks.
Before Chance the Rapper performed at sold-out concert venues, he practiced his rhymes in front of an intimate crowd of roughly a dozen people at Harold Washington Library. Now the rapper is trying to return the favor, one open mic at a time.
After weeks of vegan activists protesting in front of his nose-to-tail bistro, chef Michael Hunter decided to make a statement by butchering a freshly-killed deer’s leg in the window of his Toronto restaurant, Antler Kitchen & Bar, right in front of the demonstrators. “I figured, I’ll show them,” Hunter tells writer Corey Mintz. “I’m going to have my own protest.”
Work ideology centers around sustainable work. Through fifteen interviews, workers and prospective workers were interviewed about their experiences with work and the job search. Those interviews are analyzed and compiled on work ideology. However, work ideology goes further than showcasing the interview results, it allows for anonymous responses to be entered as well, expanding the research’s accessibility to every worker.
The enforcement of city and state law pertaining to graffiti, advertising, and other signage has enormous power to visually shape public space. In New York City, enforcement is heavily skewed to ignore illegal commercial advertising, while simultaneously aggressively targeting graffiti and, in some cases, symbols of dissent.
As South Koreans took to the streets this month demanding the ousting of their president, some found an unexpected outlet to express their fury: jokes and satire.
They hoisted banners and flags with whimsical messages about cats, sea otters and food. They waved signs joking that President Yoon Suk Yeol’s declaration of martial law had forced them to leave the comfort of their beds. Pictures of the flags spread widely on social media.
Counterspace is an independent curatorial platform functioning as the first decolonial thinktank mapping cultural activism worldwide. It shapes collectively decolonial toolkits with common tools and resources, and a global directory browsable by continent, praxis, and social construct, as a Beuys-inspired ‘social sculpture’ revisited, and an alternative map of the universe.
Most brands have expressed eternal love for emojis in recent years, as they try to talk the talk of young people today. Not so fast, says Always' "Like a Girl" campaign, which points out in a new ad that the images of women in the standard Unicode emoji set are woefully stereotypical.
In a bid to fight the spread of COVID-19, the EU Delegation to Ghana on Wednesday 27 May joined the International Organisation for Migration (IOM), the Accra Metropolitan Assembly (AMA) and artists from the Ghana Graffiti Collective, to launch an initiative to use street art and graffiti to create awareness about coronavirus and migration.
The artwork created by the Ghana Graffiti collective speak about hope, tolerance, love and solidarity.
If, like me, you spent the days after Trump’s election in a depressed stupor wondering what – if anything – would change, look no further than Good Trouble. Set up by former Dazed editor Rod Stanley, it’s a new collective arts platform dedicated to celebrating the culture of resistance and grassroots activists promoting positive change.