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With a grand total of 0 permanent residents and an average winter temperature of --56.2°F, Antarctica is a bit more than your average “no man’s land.” This didn’t deter artist duo Lucy + Jorge Orta, however, who took an expedition to the territory in 2007 on commission from The End of the World Biennale. Nine years later, the duo’s cumulative work created during the program is finally on display in NYC at Jane Lombard Gallery.

David Opdyke’s wry, panoramic visions of an America perceptibly in the grips of climate crisis were born of an artistic crisis—of “needing to come up an idea by digging somewhere other than my own brain.” Having drawn on his imagination to conjure up the trenchant, ecologically-inflected critiques of American imperialism and late-stage capitalism that have defined his work for twenty years, he wondered what more he might, artistically speaking, say.

Earlier this month, an anonymous message was posted to the discussion-board Web site 4chan. In it, the author threatened to hurt the video-game developer Zoe Quinn: “Next time she shows up at a conference we … give her a crippling injury that’s never going to fully heal … a good solid injury to the knees. I’d say a brain damage, but we don’t want to make it so she ends up too retarded to fear us.”

Susan Speirs fed four dollars into the Amend-o-matic Stamp Mobile. After spiraling up the "Tower of Corrupted Power," gliding past a clanging gong and sliding down hairpin turns on a roller coaster-style track to a final stamping station, the bills came out with bright red lettering in all caps. Now, they read, "Stamp money out of politics."

On 17 June 2007, a horrific vision was offered to the viewers of the Czech morning program Panorama: instead of idyllic hills, the image of a mushroom cloud was broadcast by a weather camera installed in the Krkonoše mountains, which caused a brief moment of panic in a country that is regularly agitated by debates on nuclear power. The panic wasn’t justified.

“ARTICULO 6: narratives of gender, strength and politics” is an activist design project that aims to raise awareness about the case of forced sterilizations implemented during the government of Alberto Fujimori in Peru.

Shouting is one of Xu Zhen’s early works questioning the limits of individual expression. First exhibited at the 51st Venice Biennale in 2005, the video shows Xu hiding in crowds and performing a series of loud screams in Shanghai.

Blizzard Entertainnment an American gaming company that has created some of the world's most beloved games has permantly banned Blitzchung, a professional Hearthstone player from Hong Kong who shouted after a livestreamed game, "Liberate Hong Kong! The revolution of our age!" After the professional player shouted that out, Blizzard banned the pro gamer from playing Hearthstone for a year and reclaimed his prize money from the tournament.

Holzer's Truisms have become part of the public domain, displayed in storefronts, on outdoor walls and billboards, and in digital displays in museums, galleries, and other public places, such as Times Square in New York. Multitudes of people have seen them, read them, laughed at them, and been provoked by them. That is precisely the artist's goal.