I think this is a very interesting project that is intended to pay hommage by showcasing portraits of survivors of the Cuban revolution. They are displayed in the streets of Havana and, as the artists explains, this is a place that lacks commercial advertising/ billboards in the streets. So they are displaying the courage and strength of those, people who should be admired, earned their place in a sense.
Most cheLA activities are organized around a series of workshops, which may act in combination, are designed as areas of aesthetic, technological and theoretical concentration, and structured to promote their development. Its core activities are research and experimentation residences. As participants in the Parque Patricios neighborhood life, within the Federal Capital, are evident human needs.
Beginning in the early 1970s, the Los Angeles-based multi-media arts collective Asco (from the Spanish word for nausea) created performances, street theater and conceptual art that satirized the emerging styles of Chicano art and pushed the boundaries of what it might encompass.
Vetements' trademark is for subverting the fashion industry’s ways of doing things. Following its recent return to the runway after a short one season break, designer Demna Gvasalia has unveiled his latest project.
On a warm summer afternoon in the Italian city of Bologna, a group of around 15 young people march through the crowded city centre to a high-end pastry shop in Strada Maggiore.
Occupy Wall Street's art offshoot, Occupy Museum, has a new initiative: deconstructing the commercial art fair model. They are calling this art fair antithesis the DebtFair. Last May at the Frieze Art Fair, Occupy Museum distributed flyers and protest literature for an Un-Frieze event.
The Proud Boys hashtag, which members of the far-right group have been using, was trending Sunday after gay men on Twitter hijacked it and flooded the feed with photos of their loved ones and families and with memes.
A series of three animations and posters to support the campaign titled: Stop the Coal Monster.
Our demands of Nelson City Council and Tasman District Council:
- Prohibit new resource consents for coal use or mining, effectively immediately.
- End all existing consents for coal use or mining by 2025.
- Ensure adequate monitoring of all current coal users.
A French illustrator/painter/graphic designer from Nice who also has had shows in galleries in Monaco, Mr OneTeas is known to some as a graffiti artist who samples pop culture on his canvasses and appropriates commonly recognizable images of Hollywood names like Liz Taylor, Princess Grace, and Alfred Hitchcock. He also presents 80s television culture ironically (spotlighting Gary Coleman, Alf, Mr.
Activists gate-crashed a retirement dinner for outgoing HMRC boss Dave Hartnett in Oxford, presenting him with flowers and a fake award for allowing large companies to avoid paying tax.
The first legislative victory of the Civil Rights era was obtained by hundreds of people going where they weren't invited. In 1961, Black and white Freedom Riders, well trained by SNCC in nonviolent action, rode Greyhound buses from Washington DC southwards primarily in order to wait, together, in waiting rooms that were still unconstitutionally segregated.
A mile-long convoy of empty school buses drove through Texas on Thursday, on a mission to get to Sen. Ted Cruz's home.
Each empty seat of this mobile art installation by Change The Ref founder Manuel Oliver represents over four thousand other victims of school shootings from the past three years alone.
Oliver and his wife Patricia lost their son Joaquin in the Parkland shooting in 2018.
Canadian Broadcasting Corporation, Tuesday, August 3, 2010: Several Greenpeace activists are in police custody after three of them rapelled off the Calgary Tower to hang a banner attacking the relationship between the oilsands industry and government.
CultureStrike, the national arts and activism group, teamed up with undocumented youth and NY-based artist Miguel Luciano to hold a kite-based symbolic public art project in Washington D.C.
The Vivienne Foundation exists to honour, protect and continue the legacy of Vivienne's creativity and activism.
Since the start of her career in the 1970s, Vivienne was renowned not only for her fashion design, but also her activism. Vivienne always utilised her platform of prestige to make the world a better place.
Released as a single on 23 December 1966, Buffalo Springfield’s For What It’s Worth became the short-lived but talent-packed band’s biggest hit, reaching No.7 on the Billboard Hot 100 chart in the spring of 1967.
Colombian ad agency Lowe SSP3 is starting a Christmas-themed campaign to entice guerrilla fighters out of the jungle to turn themselves in. The agency may have created an advertising-to-guerrillas award category after winning a gold Cannes Lion in the outdoor category and half a dozen Grand Prix awards at other shows this year for its first holiday effort, last December.
WITH HER 2003 PROJECT UNTITLED, Andrea Fraser throws us an archetype of sexual and cultural identity. More than in her other performances, Fraser here works without the protection of a research-based script, a surrogate actor, or the remove that often characterizes analytical thinking. The central action in Untitled has Fraser and a male client of her US gallery meet for a session of sex and video recording in a New York hotel room.
Graffiti art is particularly viewed as a powerful form of social protest, and the (illegal) act of defacing can be as important as the message itself. Artist Void One has been arrested on numerous occasions for his politically-charged interventions.
“I didn’t set out to make political art but art is a platform where I can vent my frustrations” – Void One.
In Photos: The True Cost of the Tar Sands
Conservation photographer Garth Lenz’s exhibition seeks to show the impact of tar sands oil extraction.
go to => http://youtu.be/84zIj_EdQdM