In 2019 before the annual San Fermin festival 54 protesters from around the world representing AnimaNaturalis and PETA held a demonstration against the cruel sport of bullfighting. The celebration of culture and religion subsequent to the murder and torture of dozens of bulls is the spectacle of San Fermin that draws an army of international tourists to the small city of Pamplona.
The New York City subway is many things, but clean isn’t necessarily one of them.
It doesn’t exactly smell great, either.
While the MTA hedges on solutions (and continues to debate whether eliminating trash cans from the stations actually solves sanitary issues), the artist and School of Visual Arts student Angela H. Kim is waging a personal guerilla war against the olfactory offensiveness of it all.
They call themselves feminist masked avengers in the tradition of Robin Hood, Wonder Woman and Batman. They wear costume gorilla masks to remain anonymous, and they are devoted to fighting sexism and racism within the visual art world internationally.
"The President Sang Amazing Grace" tells the story of the 2015 attack that claimed nine lives at the Emmanuel AME Church in Charleston, SC. It first appeared on Zoe's 2017 album "Small Brown Birds" and was widely played on independent folk radio shows across the US. Since then, the song has taken on a larger life, inspiring a variety of artists and finding its way to new audiences.
Part telethon, part variety show, and part party, the People’s Bailout Telethon kicked off the Rolling Jubilee, a project by the Occupy-offshoot Strike Debt. The Rolling Jubilee raises funds through grassroots donations, buys debt for pennies on the dollar, but instead of collecting it, abolishes it. The project works within the system of the secondary debt market in order to undermine it.
Glowing softly in the West Texas desert night, artist Guadalupe Maravilla’s Mariposa Relámpago, was once an ordinary school bus but is now a richly decorated, mobile site for remembrance and healing. Like much of the artist’s work, this piece commemorates and confronts the artist’s journey to the United States as an unaccompanied, undocumented minor fleeing civil war in El Salvador in the 1980s.
"As of October 2009, Retznei boasts a new centre. In the middle of the square the black contours of a concrete surface stand out, reminiscent of the shape of a pond. If you step on the Platform, you notice that the ground gives slightly and that it sways. Invisibly but noticeably, water reveals itself as a key component of this art work by Michael Kienzer. The water carries the Platform and us, while we are walking or standing on it.
Mass media using propaganda to brainwash citizens. Confusion and ignorance causing a divide. People rising up against an oppressive government. Humans being torn between rage and love. These are the themes of Green Day’s widely successful 2004 album, “American Idiot.” These themes still sound familiar. Nearly two decades later, the world, especially the United States, faces these same issues.
The starting point of this artistic project, carried out by MAPA within its Laboratory of Artists in Colombia, is the disappearance of one of the oldest "barrios" downtown Bogotá: El Cartucho.
In late January 2009, a group of 40 members of right-wing Hindu group Sri Ram Sena attacked women and men in a pub in the Indian city of Mangalore. They were upset with the women for engaging in behavior they found immoral, claiming that the girls were disrepecting traditional Indian values. Video footage of the event spread across Youtube in India, sparking outrage among many at the attack on innocent women.
Yesterday morning (23 February), Led by Donkeys staged a protest in front of the Russian embassy in London, creating a large-scale public artwork in solidarity with Ukraine. The group poured litres of yellow and blue paint on each side of the carriageway on Bayswater Road. Activists then used brushes to create a Ukrainian flag that would stretch the length of the embassy.
The Iranian filmmaker Mohsen Makhmalbaf opens “The Gardener” with the declaration: “I am an agnostic filmmaker.” From anyone else, this might seem like a simple statement, but not from the complex Mr. Makhmalbaf. In 1974, when he was 17, religious and involved in a guerrilla group, he stabbed a policeman, for which he received a bullet to the stomach and a prison sentence.
By Latoya Peterson, Racialicious
Looking for a way to celebrate the folks who raised you–but from a slightly different perspective than you would get down at Hallmark? The good people over at Strong Families (a project of Forward Together/Asian Communities for Reproductive Justice) present Mama’s Day, a multicultural, queer-friendly celebration of the folks who do some of the most significant (and unpaid) work in our society.
For FX Harsono, art is activism. Over the past four decades, performance, sculpture, and painting have become his means of nonviolent protest against government autocracy and ethnic strife in Indonesia.
Pussy Riot are spreading their protests and activism beyond Russia. Away from Vladimir Putin’s censorship, they’re bringing their voices to Canada – a place where their message of resistance is resonating. On Nov. 1, as a chilling cold filled the streets of Montreal, Pussy Riot kicked off the North American leg of their Riot Days tour with a sold out show at the Rialto Theatre. The tension in the room was palpable.
“Misplaced Women?” is an art project-workshop by Tanja Ostojic in which she and project`s participants – artists , art students , cultural workers and activists: Nela Antonovic, Gorana Bacevac, Nadezda Kircanski, Tatjana Beljinac, Milica Jankovic, Tamara Bijelic, Irena Djukanovic, Bojana Radenovic, Marija Jevtic, Irena Mirkovic, Jelena Dinic, Sanja Solunac and Suncica Sido showed the everyday life activities that are characteristic for migrants, refugee
This piece is fascinating because of its use of just a few words and country names, muted colors, and the recreation of famous art. The artist used this canvas to depict a concern about events happening in the Gaza strip.
#makeamericagreatagain is a group exhibition of diverse media that ran during February and coincided with the initial Democratic and Republican primaries. The exhibition’s title is culled verbatim from Donald Trump’s campaign slogan.