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CHARLOTTE, N.C. -- Charlotte-Mecklenburg Police say no one was arrested during a loud – and very colorful – KKK rally and counter-protest in uptown Charlotte Saturday afternoon. Members of the National Socialist Movement joined the Ku Klux Klan for an anti-immigration rally at Old City Hall on West Trade Street, but the counter-protesters outnumbered them at least five to one.

Last night, The Illuminator (please see external sources) was in Manhattan’s Meatpacking District to project mayday messages on the facade of the soon-to-be-opened Whitney Museum, while a group of two dozen protesters supported by 23 sponsoring organizations, launched a guerrilla inauguration for the “fracked gas line museum.”

Orquesta Solfónica de Madrid The Orquesta Solfónica de Madrid (Solphonic Orchestra of Madrid) is a self-organized orchestra that was formed in the context of the social movement 15M and that has gained popularity for playing classical music in demonstrations and acts of social protest.

It was 1974 when Beuys arrived in New York City, ready to tackle a whole new challenge and create what was to become one of the most famous works of art of the time. Upon arrival, his assistants wrapped him in a large piece of felt and transported him, by ambulance, to the René Block Gallery in SoHo. There, awaiting the artist, was a live coyote. Beuys spent three consecutive days, eight hours at a time, locked up with the wild animal.

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Mattress Performance (Carry That Weight) (2014–2015) was a work of endurance/performance art which Emma Sulkowicz conducted as a senior thesis during the final year of a visual arts degree at Columbia University in New York City.[1]

“As an educator, I want people to have a sense of empowerment. I want them to have ownership of their own creative experience. It’s a very humane thing knowing we are inherently creative.”

The Resistance Arts Trust Political Action Committee is a Super PAC with the mission of challenging great Artists to create public works of political art meant to inform communities, start conversations and drive media coverage on progressive issues, and empowering artists and the arts to a greater role in American political discourse.

The Mexican Pavilion is an immersive space based on a 1:1 scale fragment of the expanded model of the campesino basketball court, an infrastructure that has become repurposed as a space for poly- and pluri-valent processes of decolonisation in Mexico’s indigenous communities.