Compton's Cafeteria, 24 hour diner in S.F.'s Tenderloin was a hang out spot for trans women, drag queens, and sex workers. It was a place for the community to meet up for an expensive meal, a place to chit chat, and let each other know they made it through the night alive. They were often harassed by police and arrested for female impersonation. Finally one night in August the Compton's costumers weren't going to take it anymore.
Jorge Rodríguez-Gerarda is a cuban Artist that was born in 1966. One of his projects was naed Expectations in which he did with sand and grave a massive image of Barack Obama, as a way to reflect all what this presidential candidate representated in terms of change.
“ARTICULO 6: narratives of gender, strength and politics” is an activist design project that aims to raise awareness about the case of forced sterilizations implemented during the government of Alberto Fujimori in Peru.
In this solo work, Gómez-Peña tests brand new material dealing with radical citizenship and what he terms “imaginary activism,” combining live art, literature, theory, and pedagogy in a wonderfully strange mix. Not one solo performance is ever the same.
New York Times
January 28, 2012
By SIMON ROMERO
SÃO PAULO, Brazil — This mega-city’s authorities have waged war for years against what they call “visual pollution,” banning billboard advertising, demolishing abandoned skyscrapers and planning to raze concrete eyesores like the elevated highway known as the Big Worm.
They are disparaged as “free-willed” women, “stubborn,” “picky,” “incomplete.”
But a video by an East Asian beauty brand that went viral over the past week has upended the conversation on China’s sheng nu, which translates literally into “leftover women” — those who happen to be over 27 and unmarried.
“People think that in Chinese society an unmarried woman is incomplete. You feel like an outsider,” says one young woman.
QUESTION: Year after year, decade after decade, you alert the legal authorities to cruelty violations and suffering animals in peril, yet nothing ever happens. You know for a fact there are thousands of screaming and suffering hens inside a factory farm and you know the authorities will once again turn a blind eye, so what do you do?
On 8 March 2014, International Women’s Day, several female activists (Amina Sboui, Aliaa Magda Elmahdy, Solmaz Vakilpour, Safia Lebdi, Meriam Russel and Maryam Namazie) protested nude in support of women’s rights in the Middle East and North Africa in front of the Louvre pyramid in Paris.
For 35 years, the Billboard Liberation Front have been altering public advertisements in San Francisco under the cover of night, strategically changing words or phrases to invert the intended message of corporate sponsors. Considering their guerrilla reclamation of public space an "improvement of outdoor advertising," the BLF regards the advertisers whose billboards they improve as clients, for whom they are performing a vital service.
The rise in feminism and feminist advocacy has changed history forever in terms of how women are viewed and treated in society. Though great progress has been made, women are still fighting for their rights even today. Abortion and body vulnerability are just two issues that are still being confronted and fought for in the public view.
"WILD: Act I" is a film demonstrating the power of creativity in constraint. Using moving choreography performed by Elijah Lancaster and vivid imagery displayed on three walls in a mock cell, Jeremy McQueen gives voice to young Black and Brown men caught in the criminal 'justice' system.
Eight years after his death, the annual August Wilson Monologue Competition provides high school students from around the country an opportunity to carry on the African-American playwright’s legacy. That legacy includes Pulitzer Prizes for “Fences” and “The Piano Lesson,” two installments of Wilson’s 10-play series set in his hometown of Pittsburgh that examined 20th-century black life through the personal and political struggles of everyday people.
"The Scream: 21st Century Edition" was created by New York-based artist Jim Costanzo in response to the Iraq War. The piece is directly inspired by Edward Munch's painting, "The Scream." Costanzo expresses anger and frustration at the illegal American war and the attack on our civil liberties.
A protest on June 18, 2022 took place in the Guadalquivir River in Seville, where fifty Greenpeace activists used their bodies and environment to stage a demonstrative performance, highlighting the water crisis that the Andalusian region is predicted to face as a result of anthropogenic climate change. The area is at extreme risk of increased temperatures and pervasive droughts, which will impact the river that is the subject of the demonstration.
Thanks to dramatic advances in drug therapy, infection with HIV has been transformed from a death sentence to a chronic, manageable disease. HIV-positive patients can even enjoy a normal life expectancy if treatment is successful. So we needn’t worry about this virus anymore, right? Sadly, that seems to be the misinformed idea held by many.
"It appears that Banksy has struck again, this time painting the brick wall of the former Reading Prison in Berkshire, England, where Oscar Wilde was jailed for two years over his “indecent” affair with Lord Alfred Douglas.
A public art exhibition designed to raise awareness of solutions to climate change. Cool Globes grew out of a commitment at the Clinton Global Initiative in 2005, and was incorporated as a non-profit organization in 2006. Since that time, Cool Globes premiered in Chicago and went on tour across the country from Washington DC to San Francisco, San Diego, Sundance, Los Angeles, Houston and Cleveland.
An exercise that used drama/and audio visuals to engage with with all election partners, especially the political parties especially the political parties and their candidates/leaders, Electoral Commission, Musicians Association of Ghana, etc to push for a free, fair and peaceful Presidential and Parliamentary election and hand over of power to who ever won the elections peacefully.
Mansour began rapping in 2003 and has gained recognition in the Middle East, Europe and the United States for her own songs and collaborations with other artists. She performs wearing a traditional Palestinian thawb and has said that she considers herself to be part of a "musical intifada" against the occupation of Palestine, conservatism and oppression of women.