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The Monument Quilt is an on-going collection of stories of survivors of rape and abuse. By stitching our stories together, we are creating and demanding public space to heal. We are building a new culture where survivors are publicly supported rather than publicly shamed. From 2013-2016, more and more stories will be added to The Monument Quilt as participants make their own squares, host workshops, and organize local displays of the quilt.

Activism imitated art when Justice 4 Grenfell protesters drove three provocative signs through the streets of London. In a clever nod to Three Billboards Outside Ebbing, Missouri, the Oscar-nominated film directed by Martin McDonagh, the billboards were bright red, with black letters that read: 71 DEAD AND STILL NO ARRESTS? HOW COME?

The global response to COVID-19 has made clear that the fear of contracting disease has an ugly cousin: xenophobia. As the coronavirus has spread from China to other countries, anti-Asian discrimination has followed closely behind, manifesting in plummeting sales at Chinese restaurants, near-deserted Chinatown districts and racist bullying against people perceived to be Chinese.

From Time Magazine: It's not a dress—it's a cape We’ve all seen the woman in the triangle dress that marks women’s bathrooms. But what if that triangle silhouette isn’t really a dress?

From 2008 to 2010 Bronson and Hobbs performed Invocations of the Queer Spirits, bringing together small groups of men—in Banff, New Orleans, Winnipeg, Manhattan, and Fire Island—in a secret group ritual that was different every time and yet always the same.

FloodNet was a conceptual artwork and a tool for online collective action. Developed by the collective Electronic Disturbance Theater (EDT), it took the form of a Java applet that allowed users to send useless requests or personalized messages to a remote web server in a coordinated fashion, thereby slowing it down and filling its error logs with words of protest and gibberish—a kind of virtual sit-in.

Isabelle Wenzel's series of photographs entitled 'Building Images' is a striking view on the idea of the office/ workplace. Not only do her images ironically translate the uncomfortable positions office workers endure sitting in a single position for 8 hours a day, but she also takes on a feminist approach by focusing on feminine models in her photographs that center upon the contorted body and office fashion worn.

"The Scream: 21st Century Edition" was created by New York-based artist Jim Costanzo in response to the Iraq War. The piece is directly inspired by Edward Munch's painting, "The Scream." Costanzo expresses anger and frustration at the illegal American war and the attack on our civil liberties.

Greg Jobin-Leeds, a long-time social activist, collaborated with AgitArte, a collective of artists and organizers, to capture the stories of today’s social movements and the activists behind their success with the release of When We Fight, We Win: Twenty-First-Century Social Movements and the Activists That Are Transforming Our World.