The aim is to create an on line community that seeks to find new ways to articulate what it means to be an international women in relation to art and sexuality.
International visual artists who are making cutting edge fine art, with an erotic edge, please upload your work onto the web site for free. (see link) Also a competition has been launched, giving you a chance to win £300.
Thelma Golden, curator at the Studio Museum in Harlem, talks through three recent shows that explore how art examines and redefines culture. The "post-black" artists she works with are using their art to provoke a new dialogue about race and culture -- and about the meaning of art itself.
In her curatorial project Making Way, Ruth Simbao brought together works that complicated the idea of globalization’s effect on African nations, especially the idea that the new phase would usher in an almost frictionless movement of labor and capital across borders. Works by artists like Athi-Patra Ruga reflected on questions of how bodies moved through settler colonialist spaces.
The Sex Workers' Opera is a multidisciplinary show featuring stories of sex workers from 17 countries and produced since 2013. It is written and performed by sex workers and their friends.
CultureStrike, the national arts and activism group, teamed up with undocumented youth and NY-based artist Miguel Luciano to hold a kite-based symbolic public art project in Washington D.C.
In the wake of the amount of police brutality that has been occurring since the dawn of the damn police, an institution that began as a way to find escaped slaves, across the United States, #manisfestjustice chooses to make its explicit artistic mission to demand that power take responsibility, and to provide avenues to community empowerment in the meantime.
The installation consists on providing postcards to gallery visitors that they can use to mail their Elected Officials to advocate for gun control. The front of the postcard shows the photograph “Mommy, what is this?” (2018), which is the hand of Ileana's son, Lucca, holding a toy bullet while making the peace sign. The back of the postcard contains a short letter with the phrase “No more children should die from gun violence.
In 2016, The New York Times enlisted Jay-Z to voice a video about the War on Drugs. Aside from his recognizable cadence, Jay-Z has his own history with drugs; the now music mogul is open about his past of selling crack while growing up in Brooklyn, New York. The video asks, “Why are white men poised to get rich doing the same thing African-Americans have been going to prison for?”.
Oakland-based artist-activists Melanie Cervantes and Jesus Barraza teamed up to form Dignidad Rebelde, a graphic arts collaboration working for social change. They believe that art can be an empowering reflection of
community struggles, dreams and visions, and following principles of
Xicanisma and Zapatismo, create work that translates people’s stories
WASH CLOTHES :: MAKE ART :: BUILD COMMUNITY
The Laundromat Project brings engaging, community-responsive art and artists into local coinops across Greater New York City. By helping turn imaginations into creative fuel, we empower communities of color living on modest incomes to dream new visions for their own neighborhoods.
When And Where Will #TeamTrees Plant 21.5 Million Crowdfunded Trees?
Two months after reaching one of the most ambitious crowdfunding goals in YouTube history, #TeamTrees is getting closer to delivering on behalf of its 800,000+ unique donors.
"This project took aim at a public relations campaign produced by The Union Square Partnership, a local Business Improvement District (BID) attempting to privatize the north end of NYC’s Union Square park and install a high-end celebrity chef restaurant. They hosted historical walking tours of the park for decision-makers, as a means of getting buy-in for their development initiative.
In a bid to fight the spread of COVID-19, the EU Delegation to Ghana on Wednesday 27 May joined the International Organisation for Migration (IOM), the Accra Metropolitan Assembly (AMA) and artists from the Ghana Graffiti Collective, to launch an initiative to use street art and graffiti to create awareness about coronavirus and migration.
The artwork created by the Ghana Graffiti collective speak about hope, tolerance, love and solidarity.
It was once the most feared address in Berlin, a place easy to enter but very hard to leave. Now the ruins of the former engine room of Nazi terror at Prinz Albrecht Strasse in Berlin have been preserved in a new exhibition space open to the public from tomorrow.
One of the most significant aspects of the wave of protests and uprisings that began in Syria in 2011 was the use of the cell phone camera as a tool of documentation, political activism, and creative expression.
As tech leaders faced tough questions from Congress, SumOfUs, an 18 million member advocacy organization, was right outside with a larger-than-life installation of the January 6th Capitol riot that shows the role Big Tech played in sparking the insurrection.
Established Cape Town based artist Brett Murray returns to Goodman Gallery Johannesburg with Hail to the Thief II. This body of satirical work continues his acerbic attacks on abuses of power, corruption and political dumbness seen in his 2010 Cape Town show Hail to the Thief.
With the support of the Amy Rossborough Foundation and several other Yale University affiliated departments, Tamara Leacock, while a senior at Yale University, designed a collection and produced a fashion show that explored through fashion, dance, and carnival an intimate portrait of HIV. The goal of the production was to display HIV in a setting that was intimate, personalized, and displayed with a human face.
Being a Kuwaiti citizen makes you feel like you belong to Kuwait, as nationality is a legal relationship between a person and a state. But what if you are a “halfie” and are finding it hard to answer the question “Where are you from?” Those whose fathers are Kuwaiti are automatically considered Kuwaitis but those whose moms are Kuwaiti and fathers are not, they are not granted the nationality, even if they are born here.
In mid-November, the nonprofit group Asian American Federation released 10 travel posters designed to subvert a question that can instantly get under the skin of any person of Asian descent in the United States: “Where are you really from?”