From Public Delivery:
"The Land Mark series was a civil disobedience campaign. Over 2001 and 2002, Allora and Calzadilla, together with a group of activists, encroached into one of the United States Navy Bombing range in a beach of Vieques, Puerto Rico. The U.S. Military and NATO have used this location for various military exercises for more than 60 years.
On March 24, 1992, a fake inter-office memorandum from the then Mayor of the City of New York, David Dinkins, was leaked to the press. A handwritten Post-it note was attached which read "Thought you might be interested in seeing what the Mayor's up to! 'Mayor to Sell the Brooklyn Bridge!' Think this will fly?? I love New York!!!"
Creative Time, a public art fund, invited artists to make online comics that addressed contemporary issues. Every month for two years a new artist presented their comic strip online. At the end, there were a total of 24 comic works that were archived online and also released as a publication in 2010.
Fresh off the Boat examines the immigrant struggle told from the perspective of Eddie Huang, a modern day chef and video entrepreneur who has found a way to use food to explore culture, diaspora, and more through food, television, and the book that I am discussing now.
This book serves as an important storytelling experience of the immigrant and helps bridge the generational struggles often seen in these stories.
We demand that AATA respond to Karen Pence's stated commitment to our field by asking her to publicly take action for the rights of LGBTQIA people, Native people, Black and Brown people, Muslims, survivors of sexual assault, people with disabilities, immigrants, refugees and all people who are in danger as a result of the policies of the current administration.
The inspiration for the creation was the Common Snapping Turtle. A big shout-out to local member, Kristin Rubin and local college students, Sarah Lockhart and Alanis Gonzalez, for their assistance in the construction of the artwork.
Thousands took to the streets in Lima, Peru, on March 11 to protest conservative presidential frontrunner Keiko Fujimori, daughter of former dictator Alberto Fujimori, and demand that her candidacy be revoked amid accusations of vote buying.
“It might not seem that an act of public laundry could unsettle a president with a well-deserved reputation for inflexibility, corruption, and brutality. But mass washing ceremonies were a key element in getting rid of Peru’s unpopular president, Alberto Fujimori, after more than a decade in power.
For Nicholas Galanin, a Tlingit and Unangax̂ artist and musician, memory and land are inevitably entwined. The 45-foot letters of Never Forget reference the Hollywood sign, which initially spelled out HOLLYWOODLAND and was erected to promote a whites-only development.
"The traveling mini-exhibition aims to gather a snap-shot of contemporary cultural production.
Editors collect items and contributions are ongoing." (From site.)
The two sources linked in this post are separate reviews of the incident currently occurring in Baltimore. It illustrates the factor of hindsight.... what supposedly began as a peaceful protest, in one article, is portrayed as clearly intended to fight back for #blacklifesmatter... however, "(CNN)The arrest and death of Freddie Gray in Baltimore has stoked protests and accusations of police brutality.
Amid ongoing protests and government repression in Iran, a group of artists at Michigan State University is raising awareness about the women fighting for their rights in the country.
The group hosted a packed crowd one January evening for a night of music, dance, and poetry performances. The pieces, inspired by Iranian stories and icons, show solidarity with the ongoing movement abroad.
La Casa Negra is a moving artist squat that occupies houses destined for demolition as temporary venues for site specific performance art in Barranco (Lima, Peru). Artists use all of the available rooms (kitchen, bathrooms, stairs, backyard) to enact a series of critical art pieces, while using the space as a demonstration of artist resilience in an increasingly gentrifying neighborhood.
CultureStrike, the national arts and activism group, teamed up with undocumented youth and NY-based artist Miguel Luciano to hold a kite-based symbolic public art project in Washington D.C.
The Scheherazade Project is a Performing Arts Non-profit based in Washington DC. Co-founders Lisa Leibow and Julia Alvarez were inspired by Scheherazade in the Arab classic 1001 Nights and created The Scheherazade Project.
For more information, our website is https://thescheherazadeproject.org/The-Scheherazade-Project
"Since the progress of civilization in our country has furnished thousands of convenient places for this Swallow to breed in, safe from storms, snakes, or quadrupeds, it has abandoned, with a judgment worthy of remark, its former abodes in the hollows of trees, and taken possession of the chimneys which emit no smoke in the summer season." John James Audubon, The Chimney Swallow (or American Swift, Chimney Swift, Chaotura Pelasgia), from The O
A deaf man was moved to tears after learning that his neighbourhood had learned sign language just for him to promote the heartwarming message: 'A world without barriers is our dream'.
Muharrem was unwittingly placed at the centre of an elaborate stunt in which he was secretly filmed encountering a host of strangers in a series of staged meetings through Istanbul.
On October 6th, 2007, we beat a new world record. Thousands of people in cities all across Spain simultaneously shouted: “You won’t own a house IN YOUR WHOLE FUCKING LIFE!” The decibels radiating from this collective cry were registered by an interactive meter, baptized “The Fuck-o-meter” for the occasion.
In 2006, art historian Claire Bishop lit a fire under the collective seat of the art world with her Artforum piece “The Social Turn: Collaboration and its Discontents.” It set off — as much as any essay in the hermetic and staid world of contemporary art theory can — an uproar. The article inspired Grant Kester, an art historian also specializing in relational art practices, to respond: