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Un hombre trajeado viaja en el Metro. Utilizando frases clásicamente asociadas a la mendicidad, las invierte. En vez de anunciar precariedad económica y un estado de necesidad, afirma ser un banquero, sin cargas familiares, que no está perseguido por la justicia. Ofrece monedas a los viajeros, diciendo que si las cogen, ello le hará sentir mejor.

Surrounded by a jungle of tents and mud, the Good Chance Theatre was set up last year by British playwrights Joe Murphy and Joe Robertson. The refugee camp theatre has been derided by many, but for the thousands of migrants who have journeyed across the world to Calais, the small dome has been the first and only place into which they have been welcomed, and their voice valued.

... is this for protest? Perhaps. As is described online, it mentions that there was an attempt taken to challenge power relations, specifically between men and women; however, what I find most fascinating about this 'action' is that it 'demonstrates' the discrepancy between the female body as depicted in the painting, The Origin of the World, and the physically present form of Deborah's own body, i.e. genitalia.

"Los Palcos del Descubridor" (The Discoverer's Box Seats) was a project created by Sebastian Burga and José Aburto in 2012 that consisted of a large-scale installation on the street and a media campaign on the Internet. The work simulated the upcoming construction of an apartment building that would replace Lima's Teatro Colón, a historical landmark.

On a warm summer afternoon in the Italian city of Bologna, a group of around 15 young people march through the crowded city centre to a high-end pastry shop in Strada Maggiore.

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a picture is worth... provides youth with the opportunity to find their voice, surface their values and connect with others in creative and affirming ways. The project integrates academic skills such as literacy, the development of critical thinking, communications, community engagement, photography and technology with values of integrity, self-awareness, empathy and leadership.

To state or chant ‘BLACK LIFE’S MATTER’ is not to say other lives don’t matter, it’s a reminder that four hundred years and counting, black lives didn’t matter enough. Not during the dark era of slave trade and its horrors on the African, not after slavery ended and blacks were left holding the short end of the stick.

For Women’s History Month 2024, Hysterical Collective presented: Hysterical: Radical Creativity – the third instalment of the annual charity art exhibition and cultural programme taking place in March each year. Co-founded and curated by Eliza Hatch of Cheer Up Luv and Bee Illustrates, Hysterical is a queer and feminist-led exhibition and event showcase; centred around community, collaboration, and activism.