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“Most people can’t imagine a futurist Africa,” says Ethiopian photographer Aïda Muluneh. She challenges this in her project, Water Life, exploring real-world issues with an otherworldly twist. Muluneh went to Dallol, Afar, Ethiopia, an extreme landscape where it is dry and hot to capture the essence of water to life. Through her work, Muluneh highlights how water scarcity is mainly a burden on women.

On Nov. 6, the day after the presidential election, the artist Hank Willis Thomas was at his studio in Brooklyn. His production assistants were poring over tables strewed with blobby red white and blue silk-screen prints of the words “Fragile/ Democracy / Handle With Care” in capital letters.

In a dark nod to International Women's Day, artist aleXsandro Palombo has turned to the world of cartoon characters to shed light on the horrors of domestic violence. His series, "No Violence Against Women," transforms iconic animated women into victims of abuse, resulting in a familiar yet ultimately disturbing collection of illustrations.

The Paris-based collective Claire Fontaine displays a neon sign that spells the words ‘Foreigners Everywhere’ in Arabic. Since this sign was installed strategically above the gallery’s wall-length window – facing in the street – in the edition of the show I saw, at Parsons in New York, it interacted not only with Parsons’ exhibition site but also with the urban environment beyond it.

Camp Frack was a protest festival in Lancashire, UK, an area near industrial energy plants that produce shale gas. Around 150 activists from both Frack Off and Campaign against Climate Control (CCC) set up the festival, featuring food, music and conversation on environmentalism.

Last August, as protesters marched in Ferguson, Missouri, after the death of Michael Brown, the 18-year-old unarmed teen shot by a police officer, another group of activists began thinking about how to incorporate the creative community into the movement. The result is Manifest:Justice, a free pop-up art show taking place in Los Angeles.

While most people slept, a trio of artists and some helpers installed a bust of NSA whistleblower Edward Snowden in Brooklyn on Monday April 6. They fused it to part of the Prison Ship Martyrs Monument, a memorial to Revolutionary War soldiers. By later that day, officials had removed the bust. But then a group called The Illuminator art collective replaced the missing bust with a hologram projection of Snowden.

Surrounded by a jungle of tents and mud, the Good Chance Theatre was set up last year by British playwrights Joe Murphy and Joe Robertson. The refugee camp theatre has been derided by many, but for the thousands of migrants who have journeyed across the world to Calais, the small dome has been the first and only place into which they have been welcomed, and their voice valued.

These thirteen life-like sculptures resemble familiar politicians, admirals, generals, bishops, and dictators. Portrayed as frail seniors, they sit dozing off and drooling in electric wheelchairs. They roll on a slow collision course, crashing into each other like bumper cars.