These projects all have short-term goals. Ideally each contributes to a campaign with a clear, well-defined path to a goal. Ideally, there are targets—people, institutions—that the project (and/or campaign) pressures and which, if pressured, can help achieve the goal.
According to the World Health Organization, China is home to two-thirds of the world's women who wear IUD devices. This is a form of contraception that was developed after World War II, and in essence, comes from discrimination against women. In 2014, artist Zhou Wenjing made a work of IEDs, which was recently exhibited in Beijing.
"After the murder of George Floyd last year, cities all over the nation vowed to rethink their approach to public safety, including our hometown of Burlington, VT. We took a hard look at what's changed — and what hasn't."
The Strangers Project is a celebration of the stories we’re surrounded with every day—both from the strangers we share our space with every day, and our own stories we carry. It’s about a connection with ourselves, with people around us, and with something greater than ourselves.
The Mirror Casket project is a sculpture, performance, and visual call to action designed and orchestrated by a collaborative of St. Louis community artists in response to the shooting death of Michael Brown on August 9, 2014 in Ferguson, MO.
Opponents of military rule in Myanmar have marched, observed "flower strikes" and sought alternative ways to communicate after most users were cut off from the internet, undaunted by the bloody suppression of protests during the past two months.
In 2016, The New York Times enlisted Jay-Z to voice a video about the War on Drugs. Aside from his recognizable cadence, Jay-Z has his own history with drugs; the now music mogul is open about his past of selling crack while growing up in Brooklyn, New York. The video asks, “Why are white men poised to get rich doing the same thing African-Americans have been going to prison for?”.
