On Friday night, a painting by the anonymous street artist known as Banksy sold at Sotheby’s auction house in London for $1.4 million. But as soon as the auctioneer dropped the gavel, something unexpected happened: a beeping alarm went off and the frame began eating the painting, spitting half of it out the bottom in what may be the first instance of a self-destructing painting, reports Scott Reyburn at The New York Times.
The upcoming year of fashion shows look set to be charged with climate change and environmental themes.
This year, more than ever before, we have seen that the business of fashion, at the highest levels, is responding to the push to take the very pressing issue of climate change and environmental damage seriously.
After artists learned that London's Design Museum was connected to Leonardo, a large arms dealing company, and hosted an event for them, many of the artists featured in their Hope to Nope: Graphics and Politics 2008-2018 asked the museum for their work to be removed. After receiving no response, one third of the show's artists removed their work from the show.
Add Colour (Refugee Boat) begins as an all-white boat in an all-white room. Ono’s instruction for this collective, participatory work reads: ‘Just blue like the ocean.’ You are invited to contribute your hopes and beliefs in blue and white.
These thirteen life-like sculptures resemble familiar politicians, admirals, generals, bishops, and dictators. Portrayed as frail seniors, they sit dozing off and drooling in electric wheelchairs. They roll on a slow collision course, crashing into each other like bumper cars.
Between the late 1960s and 1970s numerous alternative printshops were set up across the UK, with the founding objective of producing, providing or facilitating the cheap and safe printing of radical materials. They were started by libertarians, aligned and non-aligned Marxists, anarchists and feminists, and as such were constitutive of the fractured and fractious politics of the post-1968 left.
When Tracey Emin aired her dirty laundry in the 1999 Turner Prize exhibition at Tate Britain, she set a new standard for confessional art. She conceived of the installation, titled My Bed (1998), after a long, bedridden bender following a bad break-up. When Emin finally left her sheets, she examined the mess she’d created.
Homeworkers 1977 is the central piece of a multidisciplinary project that comprised photographs, interviews, news clippings and a large canvas documenting the situation of non-unionised women doing manual work at home.
UK design students focusing on the use of design that moves beyond exclusivity, wealth, entitlement, and privilege, have created a coat that is also a shelter. The functional pocketed coat that converts into a tent and a sleeping bag, is intended for Syrian refugees. The students under the guidance of Dr.
Tate Modern considers activists' wind turbine for art collection: Liberate Tate, an art collective who object to BP sponsorship, have offered the 16 metre turbine blade to the gallery
A 1.5 tonne, 16.5 metre-long wind turbine blade carried last month to the Tate Modern by artists objecting to the gallery's sponsorship by oil company BP is being considered for the national art collection.
Protesters bathed an entrance to the Tate Britain in mock oil provoking anger from guests attending a party to mark 20 years of BP's sponsorship of the flagship gallery. A dozen veiled artists, angered by the Tate's continuing involvement with the oil giant, spat vats of treacle before covering the area with feathers as guests arrived.
Fifty-six-year-old Dan Witz — who originally hails from Chicago but lives in Brooklyn — has been producing street art in New York since the seventies. And not just any street art. Wondrous works that trick the eye and often elude passersby altogether. Oh, but when one realizes what he or she is seeing, it’s pure revelation.
Artist Luke Jerram created a genderless sleeping figure made of glass lying on a piece of cardboard and exhibited in the streets of London. The artist said in an interview "For every person you see sleeping on the streets, there are many others sleeping in hostels, squats and other forms of unsatisfactory and insecure accommodation.
Activism imitated art when Justice 4 Grenfell protesters drove three provocative signs through the streets of London. In a clever nod to Three Billboards Outside Ebbing, Missouri, the Oscar-nominated film directed by Martin McDonagh, the billboards were bright red, with black letters that read:
71 DEAD
AND STILL NO ARRESTS?
HOW COME?
Colony collapse disorder is a colossal issue – and artist Louis Masai wants you take notice. His street art project “Save the Bees” aims to catch your attention by covering the walls of London with bees. Bees are extremely important to agriculture as they pollinate plants - yet entire colonies are disappearing without a solid reasons (there are theories, mostly about pesticide ingredients).
"Members of the Reclaim Shakespeare Company jumped on stage at the Noël Coward theatre to deliver another surprise anti-BP performance. Just before the second half of a BP-sponsored Royal Shakespeare Company (RSC) performance of Much Ado About Nothing was due to begin, the three actor-vists performed a short Shakespeare-inspired piece.
Estados de excepción (States of Exception) is series of participatory cultural interventions created for women to freely and joyfully exercise our rights in public and secure environments, currently being produced in Mexico and abroad.
Doris Salcedo talked extensively with victims of the violence in Colombia. For the project titled Unland she spoke specifically with children who had witnessed the murder of their parents. This piece was a poetic response and representation of their testimony. Salcedo combined halves of tables together to make a whole. In the seam where the tables joined Salcedo meticulously sewed the tables together using white silk thread, dark hair and bone.
This diagram of the 'Brookes' slave ship is probably the most widely copied and powerful image used by the abolitionist campaigners. It depicts the ship loaded to its full capacity - 454 people crammed into the hold.The 'Brookes' sailed the passage from Liverpool via the Gold Coast in Africa to Jamaica in the West Indies.
The Brat Summer movement can be directly traced back to the release of Charli XCX's album "Brat" in 2024. Known for her boundary-pushing pop sound and fierce persona, Charli XCX used "Brat" as a platform to explore themes of defiance, self-empowerment and the rejection of societal expectations.
Olafur Eliasson , the Danish-Icelandic artist. Some of his exceptional artworks focus on climate and environmental changes. In 2003, he installed The Weather Project , which remains one of Tate Modern’s popular installations. He is also known for his freestanding waterfall in Versailles , his installation in which he installed a riverbed in a museum , and his gigantic rainbow installation in Aarhus, Denmark.
On June 17, 1911, a week before the coronation of King George V, women from diverse backgrounds united in costume and with installations over a shared political view - that of rallying the right for women to vote. Known as the Women's Coronation March, women thronged the streets between Blackfriars Bridge and Albert hall in a five-linked chain, dressed for the most part in white.