"A few months ago artists John Peña, Jon Rubin, and Dawn Weleski opened Conflict Kitchen, a take-out restaurant that only serves cuisine from countries that the United States is in conflict with. Nowadays the Iranian food is served at the counter. More precisely, the kubideh, a dish made of grilled ground meat in freshly baked barbari bread with onion, mint, and basil.
There’s a fine line between offensive and hilarious, and Arizona lawmakers aim to make that boundary legally protected. If House Bill 2549 passes, online harassment could become a criminal offense – but some hacktivists are there to help you rejoice.
In the past few years we have seen a growing awareness and concern with Internet freedom and privacy, fuelled by Edward Snowden’s revelations of the vast U.S.
War Drags You Out is a project by artist "Saint Hoax" looking at the similarities between defining characteristics of Drag Queens and Political Leaders.
Text from St. Hoax's website:
"After attending a drag show for the first time, I was struck by the richness of this glamour oriented culture.
I took a minute to actually look at the faux queens and deconstruct their main components.
The elimination of Net Neutrality is a much bigger issue than most people would like to admit. This issue stems far from just an issue dealing with an open internet, free from biased control of the internet service providers, whom which we rely on.
During the Steubenville, Ohio rape case in 2012, members of Anonymous uncovered and promised to release names of unindicted participants in the rape of a teenager by high school athletes.
Fundacion Via Libre is an Argentinian digital rights group that advocates for more user awareness of internet surveillance and policy. To build this awareness the group not only conducts activist projects and attend events, but they also work with legislative bodies to reflect the growing technology and protect users.
A couple of weeks ago, a group of activists working with Rainforest Action Network’s Energy and Finance campaign hit the streets of San Francisco to bring a little truth about Bank of America’s misdeeds to its customers—not in the lobbies of the bank’s local branches, but at its ATMs throughout the city.
In this mobile game, the studio Molleindustria makes commentary on the people and practices behind the creation of mobile devices. Not lost on the authors is the deep sense of irony in that the game itself relies on mobile platform. The "game" is structured as a narrative where the process begins in mining materials in Africa (slavery) to putting together the devices in China (labor abuse), to heavy purchasing in the U.S.