"Iconography"
1235 Ocean Parkway
Brooklyn, NY 11230
May 27, 11 am – June 24, 7 pm
Tuesday – Saturday, 11 am – 7 pm
Please write to racc.ny@mail.ru or call (347) 662 1456
The artist is available for interviews
Howardena Pindell presented her solo exhibition, “Rope/Fire/Water”, her first video in 25 years and a project utilized by the artist since the 1970s that The Shed commissioned and displayed in late 2020 and into early 2021. “Rope/Fire/Water” mines the history of violence against African-Americans and features Pindell’s personal anecdotes and anthropological and historical data related to lynchings and racist attacks in the United States.
September 5th, 2013, Raleigh, NC - As Walmart workers petition managers to reinstate employees who have been unfairly treated, a flash mob breaks out.
SEE VIDEO.
A trio of far-right, pro-gun provocateurs is behind some of the largest Facebook groups calling for anti-quarantine protests around the country, offering the latest illustration that some seemingly organic demonstrations are being engineered by a network of conservative activists.
Last night, over 40 protesters staged an intervention inside the Guggenheim Museum in Manhattan during Saturday night’s pay-what-you-wish admission hours.
Siempre Unidas is a feminist collective in the state of Quintana Roo (Mexico) that works partly through street art. In 2021, in response to the femicide of Victoria Salazar – a refugee from El Salvador who died in police custody – the collective began an anti-femicide mural project called RestaurAmoras.
Bogus building inspection notices with the forged signature of city Building Inspection Director Frank Chiu appeared on buildings in San Francisco's South of Market area, prompting an investigation by exasperated city officials.
Auli'i Cravalho Makes Powerful Statement in Support of Missing Indigenous Women with Lipstick Handprint
"I felt like I had to put my money where my mouth was," the actress said on the red carpet at the Power premiere
By Michelle Lee
Published on March 24, 2023 12:03 PM
For Auli'i Cravalho, actions speak louder than words.
Dawn Jones Redstone’s short film about reproductive justice features women of color leading the resistance.
The year is 2023.
Health care of any kind is highly inaccessible and in some cases outlawed.
Public utilities such as water are privatized and severely restricted.
Streets are filled with protesters clutching signs that say “Water is a human right” and chanting “Whose streets? Our streets.”
In the broad context of the modern world of art, the work of Beili Liu has always seemed extraordinary in visual terms and deeply profound in thematic development. Born in China and living in the United States, much of her work usually circles themes tightly interwoven with notions of identity, culture, and time.
Over the winter break, I was actually able to see the recently re-decorated Robert E. Lee statue in Richmond, Virginia. After the height of the Black Lives Matter Protests over the past summer, it couldn’t be torn down, but it was fully wrapped with protest art. All phrases and slogans (such as Black Trans Lives Matter, ACAB, Etc.) were in full display over the statue of the infamous Confederate General.
Jenny Holzer is known for her art relating to truisms. Her work has revolved around truisms and finding an artistic way to display them. Kind of Blue is another work comprising different aphorisms and truisms. It combines digital technology, reflections, and a very blue theme. Text-based art is Holzer’s specialty, and she works with it along with LED, Parking meters, and billboards .
Sitting at a folding table in the basement of Trinity Episcopal Church in downtown Columbus, Monica Jacobo used a felt tip marker to write the words “No means no!” on a white bandana.
When Patricia Stonefish returned home to the United States from Egypt in 2014, she brought with her a new outlook for conceptualizing women's self defense. Having seen firsthand the benefits and empowerment of Taekwando/ Hapkido/ Gumdo classes for Egyptian women during and after the revolution in 2011, she decided to put her decade of martial arts training to good use on home turf.
Jessica Williams talks about women's experiences with street harassment in New York with a satirical approach on how to avoid this unwanted attention.
http://www.cc.com/video-clips/5ndnit/the-daily-show-with-jon-stewart-jes...
At first, you don’t know what you’re looking at. A gray expanse of uneven geometry surrounded by undulating brown. Shift your perspective a bit and it might be a close-up of a distressed textile, with subtle hues and textures surfacing as your eyes adjust.
And then the horizon comes into focus. Now you know where you are. In the distance are the classic jutting buttes of Monument Valley, familiar to anyone who’s ever seen a John Ford Western.
hat’s it like to be black at Harvard? Students at the Ivy League university are offering a picture of their experiences there with a play and a photo campaign called “I, Too, Am Harvard,” a nod to the famous Langston Hughes poem.
"WILD: Act I" is a film demonstrating the power of creativity in constraint. Using moving choreography performed by Elijah Lancaster and vivid imagery displayed on three walls in a mock cell, Jeremy McQueen gives voice to young Black and Brown men caught in the criminal 'justice' system.
In 2001, Peter Gibson, a street artist, began by painting bike additional bike lanes onto the streets in Montreal because he was tired of how cars dominated the road. This transferred into more works criticizing car culture in general. Some of his work includes a crosswalk turned into a large footprint and lines on the road transformed into life lines.
It was September 1738, and Benjamin Lay had walked 20 miles, subsisting on “acorns and peaches,” to reach the Quakers’ Philadelphia Yearly Meeting. Beneath his overcoat he wore a military uniform and a sword — both anathema to Quaker teachings. He also carried a hollowed-out book with a secret compartment, into which he had tucked a tied-off animal bladder filled with bright red pokeberry juice.
By COREY KILGANNON
There was something odd about the ice cream truck that pulled up to the curb on Park Avenue near 67th Street on Friday, with its proletarian color scheme and its overdressed driver with the subversive grin.
The Black, Dallas-based artist Jammie Holmes put George Floyd’s final words in a place where everyone could see them: the sky. Five days after Floyd was killed by a police officer in Minneapolis on Saturday, May 30th, Holmes’s piece took flight across Detroit, Miami, Dallas, Los Angeles, and New York. Airplanes carrying banners flew between the hours of 11:30 a.m. and 9 p.m. EDT.
TYRE NICHOLS WAS a photographer with an eye for the natural world. He was especially drawn to landscape portraiture, its calm and innocence. It is said that Nichols liked to crane his lens skyward, capturing what sunlight he could before it dissolved into the horizon. As he drove home after taking photos on January 7, he was pulled over by the Memphis police and what happened next was as tragic as it is terribly commonplace. Tyre Nichols is dead at 29.
SACRAMENTO, Calif. (AP) — In director Adam McKay’s “Don’t Look Up,” a 2021 satire about two scientists who try in vain to warn the world about a planet-destroying comet, the scientists’ desperate plea for action ultimately doesn’t work.
But don’t take that as McKay’s view on the power of activism to change the course of the climate crisis, the existential threat his movie was really about.