Htein Lin: A Show of Hands 1 Favorite 

Practitioner: 

Date: 

Feb 16 2019

Location: 

Myanmar

From 1998 to 2004, pro-democracy activist Htein Lin was jailed for challenging the military dictatorship in his home country of Myanmar (formerly Burma) in Southeast Asia. Prior to his imprisonment, Lin acted in films and with a theater troupe. While behind bars, he continued to organize performance artworks with his fellow prisoners. He also used the humble objects available to him—such as cigarette lighters, bars of soap, and prison uniforms—to make more than 300 paintings and sculptures inspired by his experiences.

After his imprisonment, Lin left Myanmar and went into exile in London in 2006, only returning home in 2012 following a series of political reforms. In 2013, he began work on A Show of Hands. This multimedia installation includes hundreds of plaster sculptures cast from the hands of former political prisoners from Myanmar, each accompanied by a card bearing information about the circumstances of the individual’s imprisonment. In this way, A Show of Hands allows each person to “raise a hand” and be counted as part of the vast community of people who have suffered human rights abuses. The artist plans to continue adding new casts to the installation as these abuses continue.

According to Lin, the experience of breaking his arm in a bicycle accident during his time in London led to his interest “in the art of breaking, fixing, and healing” and to the use of plaster casting in A Show of Hands. Both sculptural and social, Lin’s artistic practice offers individuals an opportunity to process the past by sharing their stories with others. As part of the installation of A Show of Hands at the Albright-Knox, Lin will travel from Myanmar to Buffalo, where he will cast the hands of former Burmese political prisoners from across the region.

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Notes

The project is not as effective in change as it is in showing the insurmountable number of political prisoners in Myanmar. It shows that many who have lives and goals actually undertake a movement that may feel lonely. Its affect provides room for gradual effect as others connect to the mission. As the source mentions "This multimedia installation includes hundreds of plaster sculptures cast from the hands of former political prisoners from Myanmar, each accompanied by a card bearing information about the circumstances of the individual’s imprisonment. In this way, A Show of Hands allows each person to “raise a hand” and be counted as part of the vast community of people who have suffered human rights abuses. The artist plans to continue adding new casts to the installation as these abuses continue."