A human tide swept through Paris last month for the type of event France knows only too well — a protest. Union leaders led the march, awash in a multicolored sea of flags. Demonstrators shouted fiery slogans. Clashes with the police erupted.
And, as in every protest, there was Jean-Baptiste Reddé.
A widespread but illegal campaign by a group calling itself “the Gluers” uses posters to denounce violence against women. It has become an effective — and ubiquitous — tool to raise awareness.
On a recent mild night, a squad of four young women wandered through a peaceful neighborhood in eastern Paris, armed with a bucket of glue, a paintbrush and backpacks loaded with posters.
On 8 March 2014, International Women’s Day, several female activists (Amina Sboui, Aliaa Magda Elmahdy, Solmaz Vakilpour, Safia Lebdi, Meriam Russel and Maryam Namazie) protested nude in support of women’s rights in the Middle East and North Africa in front of the Louvre pyramid in Paris.
Sheep stormed into Paris’ iconic Louvre museum on Friday (March 28) as farmers protested against reforms to the common agricultural policy (CAP).
A dozen sheep ran into the museum’s entrance underneath its famous glass pyramid, baffling tourists and aggravating museum staff.