Two artists have repurposed the presidential candidate’s campaign bus in order to critique his controversial views.
In October 2015, the artists David Gleeson and Mary Mihelic purchased a Donald Trump tour bus on Craigslist.
Runners and walkers planning to take part in a 5K race in Asheville early next month might do better with a compass — a well-tuned political compass, that is.
Ge Yulu’s artistic practice playfully pulls at the strings of a social system that, although seemingly all-encompassing, is in fact a malleable structure consisting of individual human beings. For his 2016 project Eye Contact, Ge positioned himself in front of a surveillance camera and stared directly into the lens for hours, then negotiated with a security guard to buy the footage.
The rise of rock and roll in the late 1980 was largely associated with the student movements taking place at the same time. Cui Jian, considered by many to be the godfather of Chinese rock, even performed for the students on hunger strike in Tiananmen Square in 1989.
Nadya Tolokonnikova is a Siberian artist and a creator of the feminist protest art collective Pussy Riot. Tolokonnikova’s political actions and wide-ranging performance interventions have established her as a leading voice in the fight against authoritarian power. During her residency, she will compose performances that demonstrate her multifaceted approach to resisting systems of oppression and dehumanization.
WASHINGTON ― Sen. Elizabeth Warren (D-Mass.) was positioned to make a strong bid for president in 2020, but she infuriated tribal leaders by releasing the results of a DNA test to prove her Native ancestry and now her future is unclear.
A Norwegian physician who has volunteered in Gaza for decades said Friday that Western leaders, including U.S. President Joe Biden, are complicit in Israel's intensifying assault on the Palestinian enclave's hospitals, which are overwhelmed with airstrike victims and displaced people seeking refuge.
By Will Potter
I tried to resist. I really did. But when I jokingly posted on the Green is the New Red Facebook page that I wanted to make a “Sh*t the FBI Says” video, ya’ll went nuts about the idea. Like the videos that started the trend, it’s pretty goofy. But sadly, it’s all based on statements the FBI has made in court, in the press, or to activists themselves (I’ve heard quite a few of these myself).
A group of Chicago youth staged a “die-in’ at City Hall to demand that the city defund police and fund marginalized communities instead. The youth, all members of #NoCopAcademy, also announced that the organization is suing Mayor Rahm Emanuel for withholding critical emails regarding construction of the proposed $95 million building for a Police and Fire training center in West Garfield Park.
The Movement for Black Lives recognized a great opportunity to register a whole lot of people to vote: the opening weekend of Black Panther. According to activist Kayla Reed, the campaign has already inspired similar drives all over the country.
Brandalism, an organization out of the UK that aims to reclaim public spaces from advertisers, used Black Friday to protest "partner" brands to the COP21 Climate Conference.
Anonymous artists contributed subvertisements that criticized these brand for their hypocrisy in saying they are advocates for the environment when more often than not they are the worst contributors to the problem.
hot pink see-saws installed along the US-Mexico border where one person on each side can sit and see-saw with the other. installed at Sunland Park, nine miles northwest of El Paso, on the 18 feet slats border wall between Mexico and the United States. It is at this site where the US Border Patrol detained about 300 migrants from Mexico. (Public Delivery) the installation lasted only 1 day and was done without permission.
As the conflict between Israel and Hamas continues, hundreds of people gathered inside the Museum of Modern Art and outside of the Brooklyn Museum on Saturday for protests.
It’s not easy to stop the construction of natural gas pipelines, but several years ago the ecological artist and activist Aviva Rahmani came up with an ingenious idea: what if you could protect threatened landscapes by turning them into art?
Singaporean artist Lee Wen’s series Journey of a Yellow Man (1992–2012), one of his most famous and long-standing performances, was not simply a personal affront, it was a political affront. At the intersection of Asian art history, critical race theory, and migration and diasporic studies, one is never far (enough away) from the chromatic framing of race and ethnicity: yellow race, yellow peril, yellow face, the forever foreigner.
A TYPICAL EPISODE of Journal Rappé begins with Senegalese rapper Makhtar “Xuman” Fall dressed in a suit and seated behind a news desk. At first glance, the show looks like an ordinary newscast. But then Xuman (pronounced human) launches into his intro, rapping in French instead of talking. “Welcome! Make yourself comfortable. These are the news for you. Some good ones and bad ones too. But they’re all news for you.”
The 2013 protests in Turkey started on 28 May 2013, initially to contest the urban development plan for Istanbul's Taksim Gezi Park. The protests were sparked by outrage at the violent eviction of a sit-in at the park protesting the plan.
In May of 2009 lawyer Rodrigo Rosenberg was murdered in Guatemla City. A video was released of Rosenberg directed to the Guatemalan public. If you are watching this, he said, I have been murdered by the president Alvaro Colom. The video caused an uproar and sparked protests throughout the city.
Empathy may be the cornerstone of any Global Justice movement, but how do we cultivate the conditions for empathy to thrive?
The wheelbarrow symbolises something universally useful, practical and pleasingly straightforward. A space to deliver things in an efficient and direct manner - no packaging and completely people powered.
A march took place Wednesday evening in Manhattan calling for justice in the case of Trayvon Martin. He was an unarmed black teenager who was shot to death by a neighborhood watch captain in Florida last month.
"A few months ago artists John Peña, Jon Rubin, and Dawn Weleski opened Conflict Kitchen, a take-out restaurant that only serves cuisine from countries that the United States is in conflict with. Nowadays the Iranian food is served at the counter. More precisely, the kubideh, a dish made of grilled ground meat in freshly baked barbari bread with onion, mint, and basil.
Little Amal is the 12 foot puppet of a 10 year old Syrian refugee child at the heart of The Walk. Over the last year she has become a global symbol of human rights, especially those of refugees.
Since July 2021, Amal has travelled over 9,000km and been welcomed by more than a million people on the street, including hundreds of artists and civil society and faith leaders, as well as by tens of millions online.
Rufina Bazlova is not afraid to surrender her art to activism. Born in Belarus, a former Soviet republic ruled by the authoritarian leader Aleksandr Lukashenko for 29 years now, Bazlova knows all too well that being apolitical is a privilege many Eastern Europeans cannot afford. 2020 was a pivotal year for Belarus, not only because of the COVID-19 pandemic but also the presidential elections, which declared Lukashenko president for the sixth time.