The video for “Borders,” a song off MIA's album Matahdatah, features images recalling all sorts of migrations from the developing world—there are people crossing deserts, fences, and bodies of water. Though much of M.I.A.’s work has been about women and children, this video is filled with brown men: the ultimate bogeyman for many in the West, stereotyped as terrorists, criminals, and job-takers.
This is a photographic work of Shanghai during the period of the city's lockdown, in which the artist uses rope as a medium to explore the themes of government coercion and individual survival. In the image, the artist ties a small amount of vegetables distributed by the government for the following week with a rope and ties an antigen test to the rope as well.
"An atmosphere of fear and anger spread across Myanmar this week as millions of people awoke to find out the military had taken control, ousting the elected government.
But how do you fight back in a country where protests have been violently suppressed before?
For some, it has meant putting pen to paper and taking the battle online.
The Mueller Report, important as it is, has not been read by most Americans. While perhaps written in more accessible language than other federal reports, there have been efforts to bring it into other formats: audio books, performances, and The Mueller Report presented in graphic novel form by Barbara Slate.
On June the 18th 2013 in Istanbul, Turkey suddenly a man appeared on Taksim Square, just standing there.
After more than 2 weeks of peaceful protest against the ruling Prime Minister and his party AKP Taksim Square is still the focus point of attention.