Projects tagged "Police & Prisons"

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Máximas de Seguridad, a survival manual written and illustrated by Jhafis Quintero creates a new voice for the voiceless, vulnerable and underprivileged groups in prisons and creates empathy for those that are labeled as dangerous by society. The manual aims to provide empathy and humanity in light of the public scrutiny that ex-prisoners endure in the transition to social reintegration.

The enforcement of city and state law pertaining to graffiti, advertising, and other signage has enormous power to visually shape public space. In New York City, enforcement is heavily skewed to ignore illegal commercial advertising, while simultaneously aggressively targeting graffiti and, in some cases, symbols of dissent.

April 19th, 2020 Taylor, TX – On April 19th at 4 pm, around 70 human rights defenders in cars circled the T. Don Hutto Residential Center operated by CoreCivic in Taylor, honking and displaying signs urging ICE and local officials to release people from cages before COVID-19 turns prisons into death camps. This comes after news of the first detained immigrants in Texas testing positive for the novel coronavirus on Monday.

Independent producer and longtime WWNO collaborator Eve Abrams brings us Unprisoned: Stories From The System. From New Orleans and Louisiana, the world’s incarceration capital, we meet those serving time inside and outside the criminal justice system.

An idea for a show proposed by Jana Leo after witnessing the handcuffing and arrest of a art gallery visitor for drinking a beer on the street during an opening.

A group of clergy members wanted to change the conversation when they heard that a Florida police department was using mug shots of young black men as targets for shooting practice. “#UseMeInstead,” the religious leaders said, tweeting photos of themselves in hopes that their solidarity would cause cops to “think twice” before pulling the trigger. But the well-intentioned hashtag is provoking mixed responses.

You enter a narrow corridor where backlit Plexiglas panels offer three compelling narratives about whiteness and blindness: Nelson Mandela’s imprisonment and hard labor in Robben Island’s limestone quarry under a blinding sun; Bill Gates’ purchase of the Bettmann and United Press International archives, consisting of 17 million images, and their subsequent burial deep underground in a limestone vault for the sake of preservation, after Gates’s company C

In September 1943, the Nazis prepared for the deportation of all Danish Jews to the concentration camps and death. But Georg Duckwitz, a German diplomat with a conscience, deliberately leaked the plans for the roundup, which was due to begin on Rosh Hashanah, the Jewish New Year. Armed with the information from Duckwitz, Danes swung into action.

In September 1971, after years of mistreatment and months of simmering tensions, more than 1,200 of the 2,200 inmates at the Attica Correctional Facility in upstate New York took control of the prison in protest of its substandard conditions and openly racist corrections officers.

Marcel Duchamp, father of the readymade, forced the world to consider mundane things as significant objects, worthy of greater-than-average contemplation — yet his bicycle wheel, shovel, and urinal didn’t come freighted with all that much history.