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2016
CaroTimm

Lets Create Favorite 

  • 1082 reads

Gallery Projects

La Casa Negra
Practitioner
La Casa Negra
Date
Apr 21 2016

La Casa Negra is a moving artist squat that occupies houses destined for demolition as temporary venues for site specific performance art in Barranco (Lima, Peru). Artists use all of the available rooms (kitchen, bathrooms, stairs, backyard) to enact a series of critical art pieces, while using the space as a demonstration of artist resilience in an increasingly gentrifying neighborhood.

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Looking For Love Again
Practitioner
Candy Chang
Date
May 1 2011

Abandoned buildings have become such a common sight that they often slip quietly into the backdrop of our cities like an accepted part of our landscape. Looking for Love Again is a participatory public installation that renews attention to an abandoned high-rise in downtown Fairbanks, Alaska to celebrate its past and future.

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Indigenous Cooking
Practitioner
The I-Collective, American Indian Community House, Nuestra Comida Project, Dr. Elizabeth Hoover
Date
Nov 23 2017

"a dinner cooked by six indigenous chefs, members of tribes from around North America, who are meeting together for the first time this week to launch a new indigenous activist group, called the I-Collective. Thursday’s dinner will be at Dimes, on Canal Street, and it will follow a dinner tonight for New York City’s local Native American community at the American Indian Community House, on Eldridge Street.

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The Crossings
Practitioner
Anne Basting
Date
Apr 30 2014

Using Performance Art to Alert Drivers to Look Out for Pedestrians

A series of three street performances taking place this Thursday and Friday carries a simple message - remember to see and stop for pedestrians.

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COUNTERSPACE
Practitioner
Cristina Morales
Date
Aug 1 1919

Counterspace is an independent curatorial platform functioning as the first decolonial thinktank mapping cultural activism worldwide. It shapes collectively decolonial toolkits with common tools and resources, and a global directory browsable by continent, praxis, and social construct, as a Beuys-inspired ‘social sculpture’ revisited, and an alternative map of the universe.

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