Western Flag depicts the site of the 'Lucas Gusher' - the world's first major oil find - in Spindletop, Texas in 1901, now barren and exhausted. The site is recreated as a digital simulation the center of which is marked by a flagpole spewing and endless stream of black smoke.
Brainstorm of ideas and collection of the group individual experiences and input.
Preparation and design of the action.
Interview of a member of local organization that is working with homeless.
Research of data,concrete stories.
Build up the scenario to establish the environment to raise awareness of the rising local issue of homeless, specifically female homeless and their challenges in daily life.
ŠTO TE NEMA is a public monument created as a response to Europe’s worst atrocity since World War II - the systematic killing of 8,372 Muslim men and boys in the UN-protected safe area of Srebrenica in Bosnia and Herzegovina in July of 1995.
The slogan of 2015 is "Art changes Perceptions, Perceptions change people, People change the world". The organization has created an online community where anyone can post digital images of poverty existing in the Arab world. The action was created in response to the 2000 United Nations Millennium Summit declaration to eradicate extreme poverty throughout the world by 2015.
"The Red Power Movement of the 1960s and 70s was a time of profound social change and progress for American Indians in the United States and Canada. In her outspokenness about the injustices facing Indigenous people, Buffy Sainte-Marie also sang for peace, the environment, women and children—believing that art can have impact and make a difference.
In the four years since launching his eponymous label, Kozaburo Akasaka has established himself as a leader of New York’s new guard of fashion designers. In 2017, just months after graduating from Parsons’ prestigious Fashion MFA programme, his tailored silhouettes -- knife-sharp and steeped in retrofuturistic grunge -- earned him the LVMH Special Prize.
Injustice is an interactive VR experience themed around racially motivated police brutality. Guests witness an act of racial discrimination in front of them, forcing them to make moral and ethical decisions on the spot. Injustice is an experience aimed at exploring the emotional impact of VR space vs. traditional film.
By Will Potter
Multiple states have considered “Ag Gag” bills that criminalize investigators who document animal welfare abuses on factory farms. Iowa and Utah are the latest to approve them. These bills, lobbied for by Big Ag groups, are part of a long line of attempts to blame activists for exposing abuses, rather than hold corporations accountable.
CNN calls itself "The Most Trusted Name in News," but for years they provided a platform for Lou Dobbs to spread dangerous myths about immigrants and use dehumanizing and disrespectful language towards the Latino community. In 2009 Presente.org fought back, spearheading a multi-stage, national campaign with dozens of partners demanding that CNN remove Dobbs.
Reading the introduction to Animal Farm by Christopher Hitchens a few years ago, I was stunned to learn that George Orwell, then a struggling writer in London, worked by letter with a group of refugees to publish the novel in Ukrainian in the displaced persons camps of postwar Europe.
CAM brings contemporary art and ideas directly to Saint Louis Public High School and Middle School students through its ArtReach program. Tailored to meet the needs of individual schools and teachers, ArtReach is designed to raise awareness of contemporary issues through an exploration of contemporary art. The program includes a curriculum-based offering of museum tours, school visits, and creative workshops for students and teachers alike.
The egregious practice that some Muslim men employ to divorce their wives instantaneously and without their consent, merely by uttering the word talaq (divorce) three times, has finally been declared unconstitutional and illegal by the Indian Supreme Court. The country’s ruling Bhartiya Janata Party (BJP) party claims that the ban is a victory for its administration, which had been advocating its abolition since it came to power in 2014.
The Repellent Fence is a social collaborative project among individuals, communities, institutional organizations, publics, and sovereigns that culminate with the establishment of a large-scale temporary monument located near Douglas, Arizona and Agua Prieta, Sonora. This 2 mile long ephemeral land-art installation is comprised of 26 tethered balloons, that are each 10 feet in diameter, and float 100 feet above the desert landscape.
"The traveling mini-exhibition aims to gather a snap-shot of contemporary cultural production.
Editors collect items and contributions are ongoing." (From site.)
Creative Time, a public art fund, invited artists to make online comics that addressed contemporary issues. Every month for two years a new artist presented their comic strip online. At the end, there were a total of 24 comic works that were archived online and also released as a publication in 2010.
The play celebrates the life and legacy of the Mexican-American labor activist César Chávez. His early life as well as his partnership with Dolores Huerta, activism with the National Farm Workers Association, the 1968 grape boycott, and his ongoing commitment to nonviolent civil rights work.
The Improv Everywhere team created separate walking lanes for tourists and New Yorkers on a Fifth Avenue sidewalk. Department of Transportation “employees” were on hand to enforce the new rules and ask pedestrians for their feedback on the initiative. Enjoy the video first and then go behind-the-scenes with the photos and report below.
Yazan Halwani is a young Beiruti artist who paints murals of revered Lebanese and Arab figures on prominent walls in a bid to help overcome sectarianism in this fragmented city. “What I try to do,” he explains down a fuzzy line from Beirut, “is write the stories of the city, on its own walls – creating a memory for the city.”
The Paris-based collective Claire Fontaine displays a neon sign that spells the words ‘Foreigners Everywhere’ in Arabic. Since this sign was installed strategically above the gallery’s wall-length window – facing in the street – in the edition of the show I saw, at Parsons in New York, it interacted not only with Parsons’ exhibition site but also with the urban environment beyond it.