If you scanned the public service announcements in your subway car this morning—and happened to be adequately caffeinated—you might have noticed something slightly off. There's Melissa C., of small-time "See Something, Say Something" fame, with her gold hoops and salmon-pink hoodie. She's smiling next to the familiar MTA logo, but her message isn't just about reporting a suspicious bag on the platform and feeling heroic.
It has been a tumultuous and anxious week for women in Turkey. When President Recep Tayyip Erdogan issued a decree at midnight last Friday, annulling Turkey's ratification of the Istanbul Convention on violence against women, women poured onto the streets of Turkish cities to protest. Further demonstrations are planned.
When President Trump announced the US departure from the Paris Climate Accord on 1 June 2017, his enjoyment at walking over the efforts of national delegations and hundreds of pressure groups across the world who fought for that deal was palpable. I was in Paris in December 2015 during the negotiations, when the possibility of a global agreement was merely that, a fragile potential.
Art has the power to move our imaginations and bodies, transforming the emotional and physical spaces we share. It has the power to build and transform social relations and to bring about equity and justice.
After being contacted by a member of the Occupy Wall Street Alternative Banking group , illustrator Marc Scheff agreed to do a few drawings for a deck of cards depicting some of the people and institutions responsible for causing the Great Recession.
Marcel Duchamp, father of the readymade, forced the world to consider mundane things as significant objects, worthy of greater-than-average contemplation — yet his bicycle wheel, shovel, and urinal didn’t come freighted with all that much history.
(Honoring our Origins, Ourselves and our Dreams) is an all-womyn and womyn-identified crew from the northeast San Fernando Valley dedicated to creating awareness through public art.
'Casseroles'protests, based on the tradition of 'cazerolazo,' consists of protesting by banging on pots and pans in the street. This took place in May of 2012 in Montreal and across Quebec, in response to the government's proposed tuition increases and the controversial "Bill 78" passed to control and dissuade dissent.
A minibus is parked on the side of the road with a series of pipelines wrapped around it. One end of the pipeline is connected to the exhaust port of the minibus, and the other end is put into the car, so that the exhaust gas can be directly introduced into the car, forming a " Street gas chamber".
Ge Yulu’s artistic practice playfully pulls at the strings of a social system that, although seemingly all-encompassing, is in fact a malleable structure consisting of individual human beings. For his 2016 project Eye Contact, Ge positioned himself in front of a surveillance camera and stared directly into the lens for hours, then negotiated with a security guard to buy the footage.
The Protest Banner Lending Library is a space for people to gain skills to learn to make their own banners, a communal sewing space where we support each other’s voices, and a place where people can check out handmade banners to use in protests.
Melissa is a down-to-earth, friendly woman in her 50s, and it seems that she has always met life with a certain amount of courage. She grew up on another continent, and after early motherhood, then divorce and a first career in business, she moved to the UK with her second husband. She then built another career working with survivors of domestic violence, before setting up a climate emergency centre in Abingdon, Oxfordshire.
On Saturday, October 19, 2013, Creative Time and the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum presented Between the Door and the Street, a major work by the internationally celebrated artist Suzanne Lacy, perhaps the most important socially-engaged artist working today.
Develop an interactive poster that revolutionises the act of giving. It calls on people to donate, accepts credit cards and shows every donor what their donation does.
A toothless garbageman who once wandered Hong Kong’s streets with dingy bags of ink and brushes tied to his crutches is now the subject of a major retrospective. About 300 calligraphic works by the late Tsang Tsou-choi — who is best known by his self-dubbed title, the King of Kowloon — are showing at the ArtisTree art space in a high glass tower.
On January 21, 2014, McDonald’s asked its customers to tweet supportive messages to the Olympians who would compete in the Sochi Games, along with the hashtag #CheersToSochi. However, within a couple of days, LGBT activists essentially hijacked the hasthtag from McDonalds.
Najah al-Bukai cannot forget.
As an accomplished artist in Syria before the war, Mr. Bukai had long thought his photographic memory was his greatest asset, allowing him to recreate scenes on his sketch pads and canvases days, months and even years after he witnessed them. But now, after he has survived two stretches in the Syrian government’s notorious detention centers, his sharp memories only serve to haunt him.