"May you live in interesting times" is the familiar Chinese saying, usually spat out as a curse. You can see why in "A Touch of Sin," a film by renowned director Jia Zhang-ke. That kind of time is now, in the history of his country. With four vignettes inspired by real-life "ripped from the headline" events, he shows what the great economic expansion of China is doing to the majority of its people.
Estados de excepción (States of Exception) is series of participatory cultural interventions created for women to freely and joyfully exercise our rights in public and secure environments, currently being produced in Mexico and abroad.
No matter how nuanced current superhero comics may be, to the general public they are still fairly simple. Superheroes are the good guys, supervillians are the bad guys, and it’s easy to see who is who. That’s why kids like to dress up as superheroes on Halloween — and why should they have all the fun?
This past Valentine's Day the Fresh Juice Party pulled another "art prank;" this time sending chocolate shaped as dead American soldiers and sent them to U.S. government officials, especially to the previous Bush administration. This prank while very effective in its message, is not so effective in terms of timing.
This is an organization and online platform that registers cases of street harassment in Peru and disseminates information about the subject. People can report cases and get in touch with the organization to talk or learn more about what to do when being sexually harassed.
Face Your World was set up as a tailor-made educational program for the youngster to explore and participate in the process of city renewal. The project used Interactor software, an interactive tool to enable users to rebuild their neighborhood. The software creates a virtual environment which represents the neighborhood and enables users to see the result of its modification while it has been used.
"Spears entered the conservatorship in 2008, at age 26, when her struggles were on public display. Now she is 39, and a growing number of her fans are agitating on her behalf, raising questions about civil liberties while trying to deduce what Spears wants.
I was just shy of 18 when I bought the hooded sweatshirt — a metallic silver thing that cost about $10 on the Aeropostale clearance rack — to take with me to Northwestern University in the Chicago suburbs, knowing my parents would be worried when they saw it.
(Taken from Group's Event Statement):
"The big banks have been playing monopoly with our money & our homes. On Saturday July 14th, as part of #J20 Bring the Fight Back to the Banks Week, let's return the favor..."
The artist in close collaboration with AMI (Assembly of Indigenous Migrants of Mexico City) has created a series of monographs made by students, through ‘tequio’: a communal system of organisation expressed in collaborative practices, mandatory and unpaid work. The goal of the project is to offer information about the lifestyle and culture of these indigenous communities, which live in Mexico City.
COLLABORATIVE LABORATORY FOR ANALYZE PASSIVE ATTITUDES AND CREATIVE STRATEGIES OF ACTIVATION.
14-15-16 February 2014
Meeting to discuss experiences and reflect on the concept of creativity as a tool for transformation.
The US prison system is one of the world’s great shames. A quarter of the world’s prisoners are being detained in a country that represents only 5% of the world’s population. It is a system that has been compared to a modern-day version of the Jim Crow laws.
From a Universe of Trash, Recycling Art and Hope
By STEPHEN HOLDEN
“We are not pickers of garbage; we are pickers of recyclable materials,” Tião, an impoverished Brazilian catadore, or trash picker, declares to a talk-show host in Lucy Walker’s inspiring documentary “Waste Land.”
58,241 evictions were conducted in Spain in 2011, mostly through real estate speculation by the Mediterranean Savings Bank. In Intervention #1, the artist created a cooperative through which she contracted a construction worker (who himself had been evicted from his own house) to remove the entrance doors to other foreclosed properties. In this way, houses were accessible and open to public use, and occupants were not liable for housebreaking.
From Public Delivery:
"He calls his work Support, which involves two giant hands rising from a canal to support the building that houses Ca’ Sagredo Hotel. The idea is to depict that the sculpture is helping Venice. It also symbolizes humankind’s capability to destroy the world and an equal ability to save the world too."