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Space to Play by Rick Kogan

For some, October 14, 1968, was a clarion call to the future. On that day, a group of 12 black students at UC Santa Barbara, tired of the unequal treatment and passive-aggressive racism they received as Black athletes — and as members of the campus community at large — barricaded themselves in the university’s North Hall.

“Most people can’t imagine a futurist Africa,” says Ethiopian photographer Aïda Muluneh. She challenges this in her project, Water Life, exploring real-world issues with an otherworldly twist. Muluneh went to Dallol, Afar, Ethiopia, an extreme landscape where it is dry and hot to capture the essence of water to life. Through her work, Muluneh highlights how water scarcity is mainly a burden on women.

The Iranian filmmaker Mohsen Makhmalbaf opens “The Gardener” with the declaration: “I am an agnostic filmmaker.” From anyone else, this might seem like a simple statement, but not from the complex Mr. Makhmalbaf. In 1974, when he was 17, religious and involved in a guerrilla group, he stabbed a policeman, for which he received a bullet to the stomach and a prison sentence.

Marisela Escobedo was 52 when she was shot dead on a sidewalk outside of the Government Palace of Chihuahua City, northern Mexico. She had set up camp in one of Mexico’s most dangerous cities – a place where people won’t leave their homes at night to protest day and night against corruption and impunity in her daughter’s murder case.

The KLE - Kit de Libertad de Expresión (or Freedom of Speech Kit), is a portable digital device that allows people from all over the world to participate to remote protests by sending and displaying text messages in public space. The interactive banner is (unsurprisingly) inspired by the record number of social protests that took place in Spain in 2011. It is estimated that over 23.000 demonstrations have been organised that year around the country.

On the small island of Teshima in Japan’s Seto Inland Sea, Multibasket – No One Wins invites visitors to reconsider competition, collaboration, and the intersection of art and play.

In her peppy and helpful online video tutorial, Reshma Bano Quereshi promises to teach her viewers “how to get perfect red lips.” But unlike the more than 200,000 other online videos dedicated to the application of lipstick, this one goes beyond plumping and priming.

In 1932, Rivera was commissioned by Abby Aldrich Rockefeller and her husband John D. Rockefeller Jr. to paint a mural for the lobby of Rockefeller Center. Rivera kept the original, approved plan for the two outer sides of the mural but changed the inner panel to include a critique capitalism. This inner panel ultimately included: Lenin, prostitutes, and the upper class drinking alcohol and covered in signs of venereal disease.