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Moral and national education (MNE) s a school curriculum proposed by the Education Bureau of Hong Kong, transformed from the current moral and civic education (MCE).

Space to Play by Rick Kogan

Marian Anderson, the legendary African American contralto, sang at the Lincoln Memorial on Easter Sunday in 1939 after she was refused a performance at Washington’s Constitution Hall by the Daughters of the American Revolution because she was black. Over 75,000 people attended the performance, which was broadcast live on the radio and arranged in part by First Lady Eleanor Roosevelt with the support of her husband, President Franklin D.

Bea Camacho is a visual and performance artist from the Philippines, the provocation of whose work is described as exciting and strikingly into identity, intimacy, and isolation. Her art is known to delve into the human complex of experiences and offer a layered narrative within its visual and performance medium.

In September 12th: A Toy World, the designer Gonzalo Frasca seeks to explore the use of games as a form of interactive op-ed. 

As we’ve already found out, gender inequality exists in all parts of the world, but besides discriminative attitudes, women also suffer from wage discrimination. According to statistics, women’s earnings in the US “were 77% of men’s in 2011”, while in Switzerland, women earned “roughly 20% less than equally skilled men in comparable positions”.

publicly displayed posters feature the portraits of women, along with a quote relaying their experiences with street harassment. Fazlalizadeh hopes the captions speak directly to offenders by placing the posters outside in public spaces where harassment happens.

Malteros are the porters who transport luggage and goods between the border of the US and Mexico. Working with a group of maleteros in 2005, artist Mark Bradford collaborated on a system of maps and signs that placed the marginalized work of the unofficial maleteros alongside that of the sanctioned labor of policemen and taxi drivers.

On October 16, 1964, the artist collective Hi Red Center, clad in sanitation masks and white uniforms and wielding small brooms and toothbrushes, spent several hours meticulously cleaning the streets of the Tokyo district of Ginza, amid the hustle and bustle of a “normal” day.