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Claudio Abbado was an Italian orchestra director (1933 - 2014) who served as chief director at La Scala Theater in Milan from 1968 - 1985. After 18 years of absence, in 2009, he was invited to conduct a concert there. He accepted upon condition that, instead of paying him a monetary honorarium, the city would commit to the planing of 90.000 trees in the city of Milan.

Her name is ISIS-chan. And she's how nerds around the world are trying to silence violent ISIS terrorist propaganda. It starts with the vibrant worldwide community that loves Japanese anime. Some of them have created a cute animated character as a sort of ISIS mascot. The goal? Hijack the terrorist group's message and replace it with a girl that's oh-so-adorable.

After being contacted by a member of the Occupy Wall Street Alternative Banking group , illustrator Marc Scheff agreed to do a few drawings for a deck of cards depicting some of the people and institutions responsible for causing the Great Recession.

A town in northwestern Syria has become the creative center of the revolt against President Bashar al-Assad. Since the beginning of the uprising, the residents of Kafr Anbel have drawn signs that skewer the Assad regime and express outrage that the world has not done more to stop the killing in Syria.

Ciclo-Color 

A group of young black women poised to graduate from the United States Military Academy gathered on the steps of West Point’s oldest barracks last week in traditional gray dress uniforms, complete with sabers, for a group photo. Known as an “Old Corps” photograph because it mimics historical portraits, it was nearly identical to thousands that cadets have posed for over the decades, with one key difference: The 16 women raised their clenched fists.

Inspired by the Laughing Farmers of Karnataka, protesters in New York make Carlos Slim's visit to New York uncomfortable while he appears on a "Live From NYPL" program. This excellent video summarizes the action.

Without water, life would not exist. And yet, those of us in developed countries take it for granted; our shelves are stocked with hundreds of branded bottles, and it is freely given at restaurants, at schools, and even in parks. We seem to have an unslakable thirst for it; attained in excess, we throw it away like dirt—just as many developing countries liken its value to gold.

The Mexican Pavilion is an immersive space based on a 1:1 scale fragment of the expanded model of the campesino basketball court, an infrastructure that has become repurposed as a space for poly- and pluri-valent processes of decolonisation in Mexico’s indigenous communities.