"Las Carpetas looks at the bureaucratic residue of a 40-year-long secret surveillance program that aimed to destroy the Puerto Rican Independence Movement. Through still-lives, archival appropriation, and investigation, Christopher Gregory-Rivera provides a counter-history to the way many understand this period of time and its aftermath.
Dear Team
Please find below the links of the video and detail of Kind Coins Pakistan, Kids for Peace Pakistan School
and Peace Centre, hope you will publish it on your website and circulate it at large,
your this publication and circulation can change the lives of Pakistani kids and children
Kind Coins for Pakistan
On the eve of the 60th anniversary of the communist takeover of China, Tibet activists projected messages of support for human rights and freedom from inside and outside of the Empire State Building, countering China’s public relations stunt to bathe the building in red and yellow light. “NY [Hearts] Human Rights” was projected from inside the ESB onto a nearby building.
In 1994, the human rights and environmental activist KenSaro-Wiwa was arrested and accused of incitement to murder. Eighteen months later, following a show trial condemned by human rights organisations, he and eight other leaders of the Movement For the Survival of the Ogoni People were executed by hanging, an act that propelled the story on to the front pages of newspapers worldwide.
On his way to work on a construction site, Khaleel Seivwright surveyed the growing number of tents lining an intercity highway and in parks with increasing discomfort. How would these people survive Toronto’s damp, frigid winters, let alone the coronavirus, which had pushed so many out of overcrowded shelters?
He remembered the little shanty he had once built out of scrap wood while living on a commune in British Columbia.
Julie Dillon is a critically acclaimed illustrator, having been nominated and won multiple awards, including two Hugos and a Chesley. Her work often deals with science fiction and fantasy stories, and her work in the field has made her aware of the lack of diversity in this optimistic speculative fiction.
Since 1991, approximately 1,700 organizations in 130 countries have participated in the 16 Days Campaign, which originated from the first Women's Global Leadership Institute sponsored by the Center for Women's Global Leadership. During 16 days, participators are encouraged to organize events and act in their local communities to:
Twelve sheep and a sheepdog walk into the Louvre.
If it sounds like the beginning of a joke, it’s not. In Paris Friday, French farmers protesting European Union agricultural policy herded a flock of sheep down the steps of the Louvre’s famous glass pyramid entrance and then into the museum itself. The protesters were from the Peasants’ Confederation and were fighting against subsidy cuts the EU is proposing that could hurt small farms.
A photo project/online feed to increase visibility of sex workers and increase the sex workers’ sense of community of voice, in response to a spate of violence against the community in Ireland. The project led to a piece in The National, and increased area interest and conversation about violence against sex workers.
“Judy Chicago: Herstory” will span Judy Chicago’s sixty-year career to encompass the full breadth of the artist’s contributions across painting, sculpture, installation, drawing, textiles, photography, stained glass, needlework, and printmaking. Expanding the boundaries of a traditional museum survey, the exhibition will place six decades of Chicago’s work in dialogue with work by other women across centuries in a unique Fourth Floor installation.
“Semiotics of the Kitchen” is a feminist video art that examines the symbolism of women's confinement within domestic spaces, utilizing the framework of a televised cooking show. In this piece, Rosler assumes the role of an "anti-Julia Child," wielding a series of kitchen utensils in alphabetical order, some archaic and peculiar, assigning them arbitrary names before forcefully miming their use.
FloodNet was a conceptual artwork and a tool for online collective action.
Developed by the collective Electronic Disturbance Theater (EDT), it took the form of a Java applet that allowed users to send useless requests or personalized messages to a remote web server in a coordinated fashion, thereby slowing it down and filling its error logs with words of protest and gibberish—a kind of virtual sit-in.
No Home Gallery is a traveling gallery that curates exhibitions and happenings in various living and studio spaces in New York City. In an attempt to make contemporary art accessible and inviting, No Home offers emerging artists and art enthusiasts a forum for collaboration and creation.
Kanami Kusakima, also known as the woman who dances in Washington Square Park with the long black hair and the paint, was happy to allow the Mayor's Office of NYC use her image as a promotional tool for a "post-coivd" New York. Yet, she has had multiple encounters with police who want to shut her performance down.
Warscape Sonata is a transmedia project that documents and perform audiovisual information related to the current drug war in Mexico. Twitter hashtags, youtube viral videos and mass media are used as creative sources to document the militarized Mexico.
Boricua artist Castorillo discusses the crisis, diaspora, and the enduring significance of the Young Lords Party for Puerto Rican social movements today using illustrations:
Songs That Defined the Decade: Hayley Kiyoko’s ‘Girls Like Girls’
Billboard is celebrating the 2010s with essays on the 100 songs that we feel most define the decade that was -- the songs that both shaped and reflected the music and culture of the period -- with help telling their stories from some of the artists, behind-the-scenes collaborators and industry insiders involved.
By Stephen Daw
11/21/2019
New York activists responded to a recent anti-Muslim subway campaign by plastering stickers over ads depicting the World Trade Center in flames, juxtaposed with text quoting the Koran. The day-glow orange and yellow stickers warn "Caution: This is war propaganda. You're the target". The ads were paid for by the American Freedom Defense Initiative, led by notorious anti-Muslim crusader Pamela Geller, reportedly costing $70,000.