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Justin Brice Guariglia’s We Are the Asteroid employs a highway message sign to bring attention to how anthropocentric, or human-centered, attitudes have allowed for unsustainable systems that contribute to climate change. The artist generated the slogan for this work with eco-critic and professor Timothy Morton.

An artist in Culiacan, Mexico—which has the highest rate of gun deaths in the country—has found a way to transform the agents of death into seeds of life. In 2008, artist Pedro Reyes started running television ads urging locals to exchange their guns for food coupons to be redeemed at local stores. The campaign—Palas Por Pistolas, or “Shovels for Guns"—collected 1,527 guns, which Reyes publicly smashed with a steamroller.

What seemed to be a cruel and bizarre PR campaign took over Amsterdam yesterday as a barge with an apparently drugged polar bear, a Russian child superstar, and a colorful marching band wound through Amsterdam's canals to the city zoo. There, visitors and staff watched Gazprom and Shell reps officiously give the bear to Amsterdam—before being forcibly removed by zoo security and city police.

In 2016, Zhou Zhenfeng, who was a student at a college in Hebei at the time, discovered that there were a lot of waste tires in the streets and alleys. Zhou Zhenfeng learned that tires are made of infusible or refractory polymer elastic materials. It takes hundreds of years for these materials to decompose in the soil to the extent that they do not affect the growth of plants.

"Potatoe Walkout" is a series of art installations located outside public food venues, featuring potatoes and cucumbers outfitted in sunglasses, picket signs, umbrellas, and other objects (depending on the depicted scene, which varies). Some scenes represent protest, others represent army battles, and other represent acts of crucifixion.

Brisbane, Australia — The flash mob descended on Brisbane’s city square, wearing double denim and blond wigs in the style of a legendary Australian singer as they danced with wild abandon to one of his 1980s hits.

The collective Ndaku Ya La Vie Est Belle, a group of Kinshasa street performers turn their bodies into living sculptures, and use them to political ends. Among the artists is Jared, who regularly takes to the streets dressed as Robot Annonce. The costume, made from broken radio parts, is designed to raise awareness of fake news. “People receive so much incorrect information and many inaccuracies are spread. I want to fight this,” says Jared.

Elisa and Lily chose to create StyleLikeU as an alternative to this disempowering status quo. In 2009, the duo picked up a home video camera and launched their "Closet" series, documenting diverse individuals who were challenging fashion industry norms in their style.

Located in Thomas Paine Plaza, across the street from City Hall, Hank Willis Thomas’s All Power to All People was a public art intervention that dealt with racial identity and representation in Philadelphia.