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An exercise that used drama/and audio visuals to engage with with all election partners, especially the political parties especially the political parties and their candidates/leaders, Electoral Commission, Musicians Association of Ghana, etc to push for a free, fair and peaceful Presidential and Parliamentary election and hand over of power to who ever won the elections peacefully.

“I am a silkworm.” Liang Shaoji has repeatedly used this phrase to describe his work, underscoring his preoccupation with the materiality of silk and the technology of sericulture, or silk farming. For more than twenty-five years, Liang Shaoji has raised silkworms and trained them to spin silk onto different objects in his Nature series.

A television report written, directed and produced by Enmedio members Leónidas Martín and Xavier Artigas. Collective projects that see art as a kind of social relationship. Artistic interventions that target consumption, media guerrilla tactics, creative mobilisations and protest, critical projects brimming with humour and disobedience, new narratives capable of changing the existing symbols and codes.

Palas por Pistolas initiated in the city of Culiacán, a city in western Mexico with a high rate of deaths by gunshot. The botanical garden of Culiacán has been comissioning artist to do interventions in the park and my proposal was to work in the larger scale of the city and organize a campaign for voluntary donation of weapons.

From October to December 2020, Chinese university students nationwide launched a viral movement to install “menstrual pad mutual aid boxes” in women’s restrooms—free, wall-mounted containers stocked with disposable pads on a take-one, replace-one basis. Nearly 250 campuses joined within weeks. Some sustained their boxes for over a year, while others saw them vanish after bureaucratic pushback, logistical hurdles, or dwindling volunteer resources.

Founded in April 2011, Young Women for Change (YWC) is an independent non-profit organization committed to empowering Afghan women and improving their lives through social, economical , political empowerment, participation, awareness and advocacy. YWC was co-founded by Noorjahan Akbar and Anita Haidary and consists of dozens of volunteer women and male advocates across Afghanistan.

The Guerrilla Girls tactic was well thought-out and was effective in creating a spectacle to draw attention to the issue at hand, which is the lack of female representation in the museum. Where I think the campaign has some drawbacks is in the actual message on the billboard. The rhetorical and ironic message is subtle and really only reaches those who are privy to the art world and/ or the museum.

Chanel Miller is a Palo Alto–born artist and writer. She first came into the public eye as “Emily Doe,” the victim of a 2015 Stanford University sexual assault whose impact statement presented in court went viral. Miller relinquished her anonymity in 2019, when she published the acclaimed memoir, “Know My Name.” "I was, I am, I will be" is Miller’s first commissioned artwork for a museum and is on view through February 2022.

The nativity scene at Fellowship Congregational Church in Tulsa, Okla., looks a little different this year: There is a chain-link fence surrounding Mary, Joseph and the baby Jesus. The display has been up since the beginning of December, but it drew news coverage this week after the church changed the message on its marquee to read, “The holy family was a migrant family,” and posted photos of the nativity on Facebook.