The image is stark. And shocking.
A black man, his ankles shackled, his head hanging away from the viewer, stands in relief on a field of white. Chains stretching to the image's borders on the left and right pull his arms taut. Fourteen crimson marks crosshatch his back. Within the dark fabric that frames "86 Lashes to Go," a small rectangle is labeled simply "salt."
Cleve Jones's powerful vision for memorializing those lost to AIDS was realized in October 1987 in Washington D.C. It showcased the artistic contributions of people who'd lost loved ones to the virus from a number of US metropolitan centers. The quilt has continued to grow for the nearly 40 years since. By 1992, the AIDS Memorial Quilt included panels from every state and 28 countries.