Shirin Neshat’s Women of Allah is a photographic series exploring the complex identities of Muslim women in post-revolutionary Iran. Combining black-and-white portraits, Persian calligraphy, and symbolic elements such as guns and veils, Neshat interrogates themes of martyrdom, violence, femininity, and resistance.
PARIS — Ten a.m. on a frigid Monday morning, the first day of the couture shows, and Kylie Jenner was strutting through the marble halls of the Petit Palais trying to find her seat for Schiaparelli, shoehorned into spiky stilettos and a black velvet one-arm gown, a full-size tawny lion’s head jutting from the side. It was as if Aslan had taken a break from Narnia and stuck his muzzle through a time-space continuum under her armpit.
The Violence Against Women (VAW) Art Map was conceptualized in the fall of 2018, in the wake of the #MeToo movement by Dr. Lauren Stetz, as part of her doctoral research in Art Education with a minor in Women's, Gender, & Sexuality Studies at Penn State University.
IMAPCT are youth activists who view the creative arts and leadership training as a way to develop ourselves and change the world in a positive way. They believe that they must be the message that bring through hardwork, focus, discipline, unity and the principles of S.O.S. safe space, outstanding effort and service to their family friends and community.
Ai Weiwei’s Sunflower Seeds is made up of millions of small works, each apparently identical, but actually unique. However realistic they may seem, these life-sized sunflower seed husks are in fact intricately hand-crafted in porcelain.
Zero Abuse Project is a 501(c)(3) organization committed to transforming institutions in order to effectively prevent, recognize, and respond to child sexual abuse.
Following her sensational first ablum dedicated to the Black queer community via house and dance music, act i: RENAISSANCE, Beyonce released act ii: COWBOY CARTER in late March . The album is speculated to have come from her 2017/2018 performance of "Daddy Issues" at the Country Music Awards with the Dixie Chicks where the artist felt "unwelcomed".
"Gardens Speak is an interactive sound installation containing the oral histories of ten ordinary people who were buried in Syrian gardens. Each narrative has been carefully constructed with the friends and family members of the deceased to retell their stories as they themselves may have recounted it. They are compiled with found audio that evidences their final moments.
At TED2009, audience member Cindy Gallop gave a 4-minute presentation that became one of the event’s most talked about. Speaking from her personal experience, she argued that hardcore pornography had distorted the way a generation of young men think about sex, and talked about how she was fighting back with the launch of a website to correct the myths being propagated.
In 2012, visual artist Shilo Shiv Suleman started Fearless in response to the powerful protests that shook the country in response to the “Nirbhaya” tragedy in Delhi, India.
Yes, the Climate is Changing
Video: People around the world show how climate change is already affecting their lives.
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Photo taken on Oct. 15, 2020 shows a "comfort women" statue in Berlin, capital of Germany. The statue was built to commemorate the more than 200,000 girls and women from 14 countries and regions, so-called "comfort women," who were sexually enslaved by the Japanese military during World War II. (Xinhua/Shan Yuqi)
Imagine affecting the global cultural Landscape through art and technology use. Imagine one-mile long installation in 100 city locations worldwide, each mile-long install is of 250 bronze plaques of different Peacemakers. Then imagine its own App that when any smartphone is pointed at one of the plaques an entire timeline biographical history of that peacemaker becomes available.
Empathy may be the cornerstone of any Global Justice movement, but how do we cultivate the conditions for empathy to thrive?
The wheelbarrow symbolises something universally useful, practical and pleasingly straightforward. A space to deliver things in an efficient and direct manner - no packaging and completely people powered.
The One Billion Rising campaign is a global movement that's using dance to combat gender violence worldwide. Initiated by "Vagina Monologues" creator and women's activist Eve Ensler, the campaign will see cities across the world hold dance parties on Valentine's Day to raise awareness about gender violence and rape.
The latest in street art activism is confronting sexism in an unconventional, but wonderful, way.
Street artist, Elonë, from Karlsruhe, Germany, is paving her city with messages against sexism, street harassment and sexual abuse — all printed on menstrual pads.
The son of an exiled political dissident, Chinese artist and activist Ai Weiwei’s work is inherently political. Since 1995 Ai Weiwei has been traveling the world, photographing himself flipping off iconic monuments of power in his Study of Perspective series.
"Black Lives/White Light and TABLETRIBES, a D.C.-based tech startup, are coupling art and technology to create The Radius Project, which aims to take conversations surrounding Black Lives Matter beyond newsfeeds and comment sections...TABLETRIBES is a social networking app that allows users interested in similar topics to connect with each other offline...Their goal is to globally scale empathy development by developing opportunities for users to e
When mothers take to the streets — particularly those from privileged groups — governments take note. The “wall of moms” in Portland has taken up the cause against police violence.
"'Shake the Dust' is a feature documentary that tells the stories of break-dancers in struggling communities around the globe that, although separated by cultural boundaries and individual struggles, are intrinsically tied to one another through their passion for break-dancing and hip-hop culture.
To state or chant ‘BLACK LIFE’S MATTER’ is not to say other lives don’t matter, it’s a reminder that four hundred years and counting, black lives didn’t matter enough. Not during the dark era of slave trade and its horrors on the African, not after slavery ended and blacks were left holding the short end of the stick.
First: inflatables uplift a grim protest situation into a playful event. There is something magic about what inflatables induce in people. Their enormous size combined with the weightlessness and softness makes them irresistibly attractive and dreamlike. People have a natural tendency to touch the inflatable sculpture and to join the game of throwing inflatables in the air—changing a march into a poetic, joyful and participatory event.
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By appropriating mementos of other people’s lives and placing them in an art context, Boltanski explores the power of photography to transcend individual identity and to function instead as a witness to collective rituals and shared cultural memories.