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PARIS — At the end of the Dior fashion shown in Paris last September, a woman got up from the audience and walked down the runway carrying a yellow banner painted with the words “We Are All Fashion Victims.”

Artist Chris Jordan shows us an arresting view of what Western culture looks like. His supersized images picture some almost unimaginable statistics -- like the astonishing number of paper cups we use every single day. https://www.ted.com/talks/chris_jordan_turning_powerful_stats_into_art?r...

Installed on the occasion of the 2016 U.S. presidential election, I want a president renders a poignant portrait of the cultural and political climate in the early 1990s in New York City with words that still resonate today.

As part of an international workshop (10-11 October 2015) with the Center for Artistic Activism, 17 trans activists and artists from 13 European countries developed a creative campaign to mark some of the spaces in Berlin which have symbolic significance for trans people.

This is a project about bushmeat: the hunting of wild meat in the forests of sub-Saharan Africa, for our purposes specifically the Democratic Republic of Congo. This bushmeat food-cart serves up information and interpretations of the

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On August 14th 2014 several prominent statues within the city centre and the southern suburbs of Cape Town got redressed in green blankets, equipped with miner gear or carrying grocery bags. The statues – mainly of which represent colonial figures – were redressed in light of what has come to be known as the Marikana Massacre: the shooting of 34 miners by the local police force of Marikana, South Africa on August 16th, 2012.

Five leaders of British political parties called for dramatic action to confront climate change in a televised debate on Thursday, just two weeks before the country’s general election. A melting ice sculpture stole the show.

Máximas de Seguridad, a survival manual written and illustrated by Jhafis Quintero creates a new voice for the voiceless, vulnerable and underprivileged groups in prisons and creates empathy for those that are labeled as dangerous by society. The manual aims to provide empathy and humanity in light of the public scrutiny that ex-prisoners endure in the transition to social reintegration.