The purpose of this project was the permeate stock images with more depictions of Black people. Stock images are usually easily found and utilized, showcasing people doing everyday activities or scenes. To boost representation of Black people in this particular image field, were left out, so the artist chose to recreate popular stock images with Black models to showcase representation and shed light on the lack of diversity in these photos.
This work addresses inequalities and disparities experienced specifically by LGTBIQ peoples in Spain. In the heart of this picture are six individuals dressed in queer fashion walking and linking arms. This is a powerful depiction. Usually, especially in a global context, it is unsafe for queer people to brave the streets alone. Here in Pozo’s work this represents pride without fear.
VOA NEWS March 29, 2012 By Nico Colombant
WASHINGTON--A Sudanese artist from the restive Blue Nile region is using art and activism to promote the plight of people caught between borders and conflict.
In an audio montage of memories from refugees, the sounds of gunfire and explosions mix with crying babies. Narrator Michelle Orecchio describes how to reverse war's grip on so much of humanity.
Last November, when you Googled the phrase “ugly Black woman,” Vanessa Rochelle Lewis’s photograph was the second to come up.
“Which I’m offended by,” says Lewis, a Bay Area–based artist and writer, “since I’m an Aries and I like to be number one in everything.”
"Whirl-Mart Ritual Resistance is a participatory experiment. It is art and action. It came into being in 2001 as a response to Adbusters magazine’s call for foolish action on the first of April. What began as a single happening in Troy, NY has over the course of a year evolved into a ritual activity that is performed across the U.S., and known around the world.
Between A Rock And A Hard Place is a project consisting of a cleaning performance, a film and a big event on August 18, 2012. From the material recorded on this day, a film and a vinyl record will be made.
This diagram of the 'Brookes' slave ship is probably the most widely copied and powerful image used by the abolitionist campaigners. It depicts the ship loaded to its full capacity - 454 people crammed into the hold.The 'Brookes' sailed the passage from Liverpool via the Gold Coast in Africa to Jamaica in the West Indies.
A site-specific, community-engaged process: Sarah and NYC collaborators gathered at the water’s edge every month from September 2020 (when the work was initially scheduled to take place but was postponed due to the pandemic) until September 2022, to build Kin To The Cove, a site-specific community-powered environmental public art process that connects local residents to the Cove and Water that surrounds NYC.
Located in Thomas Paine Plaza, across the street from City Hall, Hank Willis Thomas’s All Power to All People was a public art intervention that dealt with racial identity and representation in Philadelphia.
Up Against the Wall: Art, Activism, and the AIDS Poster is the traveling version of the first major exhibition devoted to the University of Rochester's collection of HIV/AIDS-related posters. It illustrates to a broad audience that "AIDS affects everyone" and through the use of language and imagery, shows how messaging and information around HIV is shared to different groups, audiences, and people throughout the world.
Imagine if back in the 1960s, creators Jack Kirby and Stan Lee had found inspiration for The Avengers in Yoruba mythology. Instead of Iron Man, we'd have the warrior Oxaguiã. Taking the place of the blue-eyed, blonde-haired Norse god Thor would be the equally strong and black-skinned Xangô, the ruler of justice — who also happens to carry a hammer.
Linha Vermelha was created in 2016 by the non-profit organization Academia Cidadã (Citizenship Academy). At that time there were fifteen active contracts for oil and gas drilling and we were inspired by the “Red Line Action” in Paris, during COP21 and decided to create this campaign.
On January 18, 2012, numerous website across the internet called for an internet blackout in protest of SOPA and PIPA. SOPA, or the Stop Online Piracy Act, and PIPA, the Protect IP Act, were a series of bills promoted by Hollywood in the US Congress that would have created a “blacklist” of censored websites.
(Taken from Group's Event Statement):
"The big banks have been playing monopoly with our money & our homes. On Saturday July 14th, as part of #J20 Bring the Fight Back to the Banks Week, let's return the favor..."
Huelga decir, gráficas de brazos caídos, es un libro digital de gran importancia estético-política, dados los recientes acontecimientos sociales a escala mundial, en los que el llamado a la huelga de nueva cuenta se pone de manifiesto en las plazas públicas como instrumento de transformación social.
CNN
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Five years after first appearing on the cobblestones of Wall Street, the “Fearless Girl” statue – a petite but controversial symbol for gender equality – is taking on a new digital form.
publicly displayed posters feature the portraits of women, along with a quote relaying their experiences with street harassment. Fazlalizadeh hopes the captions speak directly to offenders by placing the posters outside in public spaces where harassment happens.
The famous pop singer Jolin Tsai (蔡依林 Cài Yīlín) wrote and released a song named “Rose Boy” (official English title “Womxnly”) in 2018, inspired by the story of Yeh Yung-chih (叶永志 Yè Yǒngzhì), also known as “Rose Boy” (méiguī shǎonián 玫瑰少年), whose death has made him an iconic figure in Chinese-speaking LGBTQ communities around the world.
It all started when a 70-year-old fish market stall owner nicknamed “Booghy” was grooving in public, in violation of Iranian law.
A new form of protest against the government is rocking Iran: a viral dance craze set to an upbeat folk song where crowds clap and chant the rhythmic chorus, ‘oh, oh, oh, oh.’
The large crowds and brightly coloured placards of the school climate strikes became some of the defining images of 2019.
“There would be lots of chanting and the energy was always amazing,” says Dominique Palmer, a 20-year-old climate activist from London who has been involved with the strikes for more than a year. “Being there with everyone in that moment is truly an electrifying feeling. It’s very different now.”