In early 2016, I began paying attention to reports about the incredible number of unarmed black people being killed by the police. The posts on social media deeply disturbed me, but one in particular brought me to tears: the killing of Alton Sterling in my hometown Baton Rouge, La. This could have happened to any of my family members who still live in the area. I felt furious, hurt and hopeless.
In December 2008, Tim DeChristopher, along with his church group, was protesting outside a Bureau of Land Management oil and gas lease auction of 116 parcels of public land in Utah's red rock country. Tim decided to take his protest inside and disrupt the auction itself. Instead, at the door, he was offered a bidder's paddle — which, after a split second of hesitation, he accepted.
This print is one of several works documenting a performance Schneemann made at Women Here and Now, an exhibition of paintings accompanied by a series of performances, in East Hampton, New York in August 1975. In front of an audience comprising mainly women artists, Schneemann approached a long table under two dimmed spotlights dressed and carrying two sheets. She undressed, wrapped herself in a sheet and climbed on the table.
Demonstrators aligned with the Occupy Wall Street movement sang their way into handcuffs during a Bronx foreclosure auction Monday to protest the housing crisis that continues to plague the borough.
They serenaded a courtroom of real estate investors with the lyrics, "Y'all are speculating off people's pain. With all due respect, you should be ashamed."
In August 2015, Weston-Super-Mare - a sleepy seaside town in Somerset, England - suddenly became the top destination for the metropolitan elite, welcoming celebrity guests like Brad Pitt, Jack Black and Mark Ronson. Overnight this quaint town, just 18 miles from Bristol, was transformed by anonymous street artist Banksy when he opened his very own dystopian Disneyland style theme park called ‘Dismaland’.
It took 17 high schoolers, eight mentors from Kansas City and a 1967 Volkswagen Karmann Ghia to create the first ever social media powered car.
The concept was to bring MINDDRIVE to life with tweets, posts, shares and likes which were monitored by an Arduino device. This open-source, single-board microcontroller triggered the vehicle’s motor based on the number of tweets and posts about the project.
A short documentary about Artist Stephen Sheehan's performance called 'Weighed down by a cushion' performed at Liverpool One. The footage contains views from the public captured during the performance.
The starting point of this artistic project, carried out by MAPA within its Laboratory of Artists in Colombia, is the disappearance of one of the oldest "barrios" downtown Bogotá: El Cartucho.
Pro-choice activists protested outside Supreme Court justice Amy Coney Barrett’s Virginia home on Saturday ahead of the apex court’s decision on a landmark case constitutionally protecting a woman’s right to safe abortion.
The activists, part of a group called Rise Up 4 Abortion Rights, donned clothes soaked in fake blood, held baby dolls and carried signs with slogans such as “Abortion on demand and without apology”.
One film to change the world. Curated every month.
BURDEN OF PEACE follows Guatemala’s first female Attorney General Claudia Paz y Paz in her fight against impunity.
Throughout April 2018 a global audience came together to watch BURDEN OF PEACE, and to dig deep into the issues of women in power with our action kit, bonus features and Impact Talks podcast.
"Disasters of War in East Ukraine"
1235 Ocean Parkway
Brooklyn, NY 11230
October 10, 11 am – November 11, 7 pm
Tuesday – Saturday, 11 am – 7 pm
Please write to racc.ny@mail.ru or call (347) 662 1456
The artist is available for interviews.
Post revolution Tunisia is all too familiar with protest – usually through demonstrations - but one group of activists are using the power of street art to get their message across. Calling themselves “Fanni Raghman Anni” (Arabic for “My Art in Spite of Myself”), the group simply scouts the streets of Tunisia bringing theater and drama to random passers-by.
New York City Food Not Bombs
Food Not Bombs--NYC is now working out of a kitchen provided by the Catholic Worker: 36 East First Street, between First and Second Avenues.
Every Sunday they start cooking around 1:00pm and are in Tompkins Square Park to serve around 3:30pm.
Facebook came under fire when its authentic-name policy led to San Francisco drag queen Sister Roma and others being barred from the social network. The policy allows users to report people they believe are using fake names. This caused a stir when a group of drag performers suddenly found that their Facebook accounts had been deactivated. Among them was Sister Roma, who had not registered on the site under her legal name, Michael Williams.
Do we need to crowdsource a new Australian Constitution? Does anything matter more than the environment? Should Australia become a republic with an Australian head of state? Should whistleblowers be protected? Is representative democracy antiquated? Controversial artist Carl Scrase is asking these questions in a new project that mixes street art posters with political activism and aims to go viral through social media.
Spanish street artist El Rey de la Ruina uses murals and installations to critique inequality and government policies. His works, especially during the pandemic, voiced concerns over healthcare, housing, and public resources in Madrid’s urban spaces.
In May, 2013, Russian performance artist Petr Pavlovsky wrapped his body, nude, in barbed wire and lay outside the St. Petersburg legislative assembly. The act was in protest of restrictions imposed on freedom of speech and assembly. Police officers were forced to attempt to disengage him from the wire. After medical officials also arrived, Pavlovsky refused to be taken to the hospital and was brought to jail, where he was held for several weeks.
Protests against state stay-at-home orders have attracted a wide range of fringe activists and ardent Trump supporters. They have also attracted a family of political activists whom some Republican lawmakers have called "scam artists."
Felix Gonzalez-Torres produced meaningful and restrained sculptural forms out of common materials. “Untitled” (Portrait of Ross in L.A.) consists of an ideal weight of 175 pounds of shiny, commercially distributed candy. The work’s physical form and scale change with each display, affected by its placement in the gallery as well as audience interactions.