Tate Modern considers activists' wind turbine for art collection: Liberate Tate, an art collective who object to BP sponsorship, have offered the 16 metre turbine blade to the gallery
A 1.5 tonne, 16.5 metre-long wind turbine blade carried last month to the Tate Modern by artists objecting to the gallery's sponsorship by oil company BP is being considered for the national art collection.
In 1995, Bogota was a chaotic city. Among others, it presented high ranges of homicides, delinquency, corruption, no sense of belonging, traffic chaos and financial problems.
The outbreak of the coronavirus has brought international scrutiny down on China’s political system. Again. A few commentators have applauded the efficiency of the Chinese Communist Party’s response, but most have zoomed in on its weaknesses. Some have even blamed the party itself for the outbreak, calling the disease a “Communist coronavirus” or “the Belt and Road Pandemic.”
ISLAMABAD —
A prominent female rights activist in Afghanistan lambasted the global community Saturday for failing to come up with a plan or agreement on how to help her crisis-ridden country since the Taliban took control of it 18 months ago.
Mahbouba Seraj, a Nobel Peace Prize nominee, spoke virtually from the Afghan capital, Kabul, to a town hall at the Munich Security Conference on prospects for her country under Taliban rule.
CAM brings contemporary art and ideas directly to Saint Louis Public High School and Middle School students through its ArtReach program. Tailored to meet the needs of individual schools and teachers, ArtReach is designed to raise awareness of contemporary issues through an exploration of contemporary art. The program includes a curriculum-based offering of museum tours, school visits, and creative workshops for students and teachers alike.
The Critical Engineering ManifestoThe Critical Engineer considers Engineering to be the most transformative language of our time, shaping the way we move, communicate and think. It is the work of the Critical Engineer to study and exploit this language, exposing its influence.
When people think of feminist protests of the 1960s, they most often think of bra burning at the Miss America pageant. This is super lame because bras weren’t even burned at that protest, just discarded into a trash can. It’s hard to imagine why this trope has persisted over the decades. Bras are an investment, so I have a hard time believing that any of my friends would willingly burn expensive (and sometimes really fun) garments.
A changing cast of theater workers — actors, seamstresses, lighting technicians and prop masters — are protesting the privatization of a stage once graced by some of Europe’s greatest thespians, from Sarah Bernhardt to Vittorio Gassman.
"Today there is literature coming out of Syria that we could have never even dreamed of just a few years ago," Atrash says.Rather than relying on metaphors and allegorical images, these new poems rely on literal, visceral descriptions, with a newfound emphasis on a united Syrian identity instead of religious symbols.
Ghada al-Atrash, a Syrian-Canadian writer and translator, has been studying Syrian poetry for decades.
I will create a series of paintings with acrylics on canvas size 15" x 19". The subject of my art works will be the futility and immorality of modern warfare.
Daniel Hewson describes the use of protest posters and the work of collective, Burning Museum, and artist, Faith47, in the Fees Must Fall movement taking place in South Africa:
The pink "pussy hats" in The Women's March were created by a group of activists and knitters, including Krista Suh and Jayna Zweiman. The hats were designed as a form of protest and a symbol of resistance to the new administration and its policies.
The language of music is common to all generations and nations,” Gioachino Rossini, the virtuosic opera composer, once said. “It is understood by everybody, since it is understood with the heart.” In recent weeks, Italians have embraced the language of music as a means to communicate with their neighbors and endure the ravages of covid-19 as a collective.
September 5th, 2013, Raleigh, NC - As Walmart workers petition managers to reinstate employees who have been unfairly treated, a flash mob breaks out.
SEE VIDEO.
With American Prison Perspectives, Gielen intends tol illustrate how prison complex designs reflect the politics, economic priorities and anxieties of society, yet there would be so much more to say with pictures inside the prisions.
Mind Over Media is a crowdsourced educational platform that contains diverse examples of contemporary propaganda on a wide range of social, political, economic and environmental topics.
The theatre has luxurious red velvet upholstered seats, grand ceilings and gilded trimmings. The rows of chairs stretch back into the ostensible blackness, with light beaming from the projector room. Ahead, archival footage of stylish black travelers pack the screen as an unseen narrator discusses the hardships of mid-20th-century black travel.
Natalie Ball’s work challenges dominant stories of Native American identities, taking to task the historical and visual legacies that misrepresent what it means to be “Indian.” She dives deeply into Indigenous histories and forms of knowledge, the use of language, and a wide range of materials—including animal hides, clothing, and synthetic hair—to create a new narrative around Indigenous experiences and identities.
The veteran Malian master puppeteer Yaya Coulibali, born in 1959 in the village of Koula, around 100 kilometres north-east of Bamako, has more than half a century of experience in puppetry and has toured the world to perform his art.
“Nature’s Nation: American Art and Environment” is an important exhibition organized by the Princeton University Art Museum is on view at the Peabody Essex Museum, in Salem, Massachusetts, from February 2 through May 5, 2019.