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As part of the commemoration of this year’s World Art Day (April 15), Ghanaian-based Tapioca Foundation and Imposters Art Collective have embarked on a campaign to educate the public about environmental sustainability. The project, which was launched in Ada in the Greater Accra Region, is intended to use art pieces to highlight issues relating to environmental protection and climate action to boost awareness in local communities.

As the world watches Cairo burn, I can’t help but think that the flames of protest engulfing Egypt were sparked by Mohamed Bouazizi, the Tunisian street vendor who set himself on fire on December 17 after police confiscated his vegetable cart. The desperation that he expressed through his act of self-immolation caught on, literally, and spread across the country, into Algeria, and now to Egypt.

The Democracy Machine! is a performative sculpture that gives participants the opportunity to experience the thrill of democracy in action, in a competitive game that challenges people to work together toward understanding a better society. Using the spectacle and play of performance drawn from Las Vegas Casinos, gambling machines and game shows, The Democracy Machine!

Spanish citizens held the first hologram protest in history in order to protest without violating the new draconian guidelines of the National Security Act, the new amendments to the Penal Code and the Anti-terror law. Thousands of people marched past a Spanish parliament building in Madrid over the weekend weekend to protest the new law that they say endangers civil liberties. But none of them were actually there.

Lexi Nisita from Refinery 29 writes in her article "Not A Sketch: The Most Creative Anti-ED Message We've Seen Yet,"

My skin is black,” the first woman’s story begins, “my arms are long.” And, to a slow and steady beat, “my hair is woolly, my back is strong.” Singing in a club in Holland, in 1965, Nina Simone introduced a song she had written about what she called “four Negro women” to a young, homogeneously white, and transfixed crowd.

Dismaland was an experimental and interactive art installation that mimicked and mocked similar attractions and characters of the Disney franchise. He later referred to it as a ‘bemusement park.’ Although the bemusement park seemed to disappear as suddenly as it arrived, the exhibition lives on in the collective memory of the British public.

A few dozen women, wearing white masks, held up signs protesting against pornographic deepfakes. On the afternoon of Friday, August 30, several South Korean feminist collectives demonstrated in Seoul to fight these sex crimes that are flooding the country.

By Dr. S. O'Sullivan and C. McCausland