There are few artists more innocuous, more neutered, more universally loved and reviled than Thomas Kinkade. His soft-focus images present an idyllic vision of America and of Christianity, like Norman Rockwell without the blue-collar populism, where everything is beautiful, nothing hurts, and there’s always a warm fire going in the Lincoln-Log cabin just down the trail.
The Uganda National Contemporary Ballet (UNCB) presented a new powerful and moving production advocating for the child soldiers all over the world at the National Theatre in Kampala.
Thanks to dramatic advances in drug therapy, infection with HIV has been transformed from a death sentence to a chronic, manageable disease. HIV-positive patients can even enjoy a normal life expectancy if treatment is successful. So we needn’t worry about this virus anymore, right? Sadly, that seems to be the misinformed idea held by many.
The Balloon Project, is a three-year-in-the-making Art Installation by Yan Kong in support of world refugees and migrants. It pays tribute to human spirit, courage and survival. The Balloon Project is a multimedia work incorporating mechanical engineering and visuals to fuse art and politics. 32 balloons inflate and deflate to simulate refugee and migrants' breathing while fleeing their countries to seek safety and freedom in the world.
Do we need to crowdsource a new Australian Constitution? Does anything matter more than the environment? Should Australia become a republic with an Australian head of state? Should whistleblowers be protected? Is representative democracy antiquated? Controversial artist Carl Scrase is asking these questions in a new project that mixes street art posters with political activism and aims to go viral through social media.
Isabelle Wenzel's series of photographs entitled 'Building Images' is a striking view on the idea of the office/ workplace. Not only do her images ironically translate the uncomfortable positions office workers endure sitting in a single position for 8 hours a day, but she also takes on a feminist approach by focusing on feminine models in her photographs that center upon the contorted body and office fashion worn.
Wilson’s intervention was a correction of the museum’s identity in the sense that it made the underlying racism apparent. Using glass cases and neat labeling, Wilson’s installations mimicked the usual methods of museum display but with a twist so that a new voice or persona was created. As he said it himself: “By bringing things out of storage and shifting things already on view, I believe I created a new public persona for the historical society.”
Faces of the Movement is a daily-release photo project that highlights the stories of everyday people who have joined together to fight for justice against police brutality in the United States.