For an art project about the effects of white privilege and the disturbing ways in which its effects are built into our society, Risa Puno’s The Privilege of Escape is a surprisingly fun, even enjoyable experience.
The sneaker brand Converse has commissioned an indigenous artist in Australia to create a gigantic mural with a surprising twist. The Melbourne mural plays homage to indigenous urban identity and was painted with a special type of pollution-absorbing paint that “cleans the air,” according to the agency behind the project, Amplify.
Most cheLA activities are organized around a series of workshops, which may act in combination, are designed as areas of aesthetic, technological and theoretical concentration, and structured to promote their development. Its core activities are research and experimentation residences. As participants in the Parque Patricios neighborhood life, within the Federal Capital, are evident human needs.
You’ll find Johanna Toruno on the streets of NYC plastering pictures of her flower-filtered poetry, Kendrick Lamar, and Selena on blank walls, street lights and buildings. When I came across The Unapologetically Brown Series on Instagram I was intrigued not only by the name but by the concept of being unapologetic and brown as the premise for a body of street art.
In 2016, the Guggenheim Museum commissioned its very first robotic artwork called Can’t Help Myself (Wannmann, 2016). The artwork is created by two of China’s most controversial artists Sun Yuan and Peng Yu and can be described as a robotic arm that has one specific, life-long duty: to prevent the deep-red, bloodlike liquid, which constantly oozes outwards, from straying too far (Weng, n.d.).
A converted school bus with the sawed-off top is taking Mexico City visitors on the "Corruptour", a visit to the country's seedy underbelly of murderous misdeeds and multibillion-dollar graft by public officials.
#thisisnotamask
Covid-19 Pandemic Rubber Stamp Currency Intervention
Website: https://thisisnotamask.tumblr.com/
For more information:
Joseph DeLappe artist/activist – j.delappe@abertay.ac.uk
Brent Richardson media artist – brent@BrentRich.com
Let’s mask the presidents!
This is Marina Abramović's first attempt to interact with the audience on the spot, allowing the audience to become part of her work. Guns, bullets, kitchen knives, whips and other dangerous items), the audience can use any item to do whatever they want to her. Due to the unpredictable danger of the work, Marina promised to take full responsibility for the performance of the performance art.
DAVEY DRUMPF, The Donald's long-lost third cousin twice removed, makes a family-sized guess on President Shoot-Someone-on-5th-Avenue's chances of Bringing Back Jobs and Making America White Again.
While Trump’s proposal to detain asylum-seeking and migrant families indefinitely remains open to public comment for the next week, families who have already been detained for longer than the 20-day maximum endure painful separations and terrifying uncertainty while they remain in limbo.
The Joseph A. Labadie Collection contains posters which have been acquired over the past 100 years. This database consists of images of those posters covering social protest movements such as Anarchism, Civil Liberties, Colonialism, Communism, Ecology, Labor, Pacifism, Sexual Freedom, Socialism, Women, and Youth/Student Protest. Some are from the first half of the 20th century, but the majority are from the 1960s and later. Many are undated.
Drama Queens Ghana's “MoonGirls” is an Afrofuturistic graphic novel series. Through an Afrofuturistic lens, “MoonGirls follows the adventures of 4 African "supersheroes" with varying superpowers to save the world from a diverse range of forces; from patriarchy, rape culture to pollution and global warming.
Khalil Bandib is a Berkeley-based, award-winning editorial cartoonist with a unique perspective. He critiques a myriad of topics, from racism and homophobia to foreign policy and the Patriot Act. Bandib was born in North Africa under a French colonist regime; he brings a non-Eurocentric perspective not typically visible in large corporate media.
Mayday is a neighborhood resource and a citywide destination for engaging programming, a home for radical thought and debate, and a welcoming gathering place for people to work, learn, drink, dance and build together.
"a dinner cooked by six indigenous chefs, members of tribes from around North America, who are meeting together for the first time this week to launch a new indigenous activist group, called the I-Collective. Thursday’s dinner will be at Dimes, on Canal Street, and it will follow a dinner tonight for New York City’s local Native American community at the American Indian Community House, on Eldridge Street.
In the wake of the amount of police brutality that has been occurring since the dawn of the damn police, an institution that began as a way to find escaped slaves, across the United States, #manisfestjustice chooses to make its explicit artistic mission to demand that power take responsibility, and to provide avenues to community empowerment in the meantime.
Working in a grocery store has earned me and my co-workers a temporary status. After years of being overlooked, we suddenly feel a sense of responsibility, solidarity, and pride. On a private Facebook group page for my company, Trader Joe’s, one employee from Washington State posted a picture of a company-issued work shirt hanging from the ceiling of the store. A sign attached to the shirt read not all heroes wear scrubs.
The questions that London-based collective One Of My Kind (aka OOMK) explore are those of identity and belonging—issues that are experienced by everyone regardless of whether they grew up defining themselves based on the music they listen to, the hobbies they enjoy, or the religion they practice.
In a sleepy town in Iranian Kurdistan, people take off their winter coats. It is evening, and outside one can just about discern the silhouettes of the mountains that lead to the Turkish and Iraqi borders. Inside, some 60 people fill the small community centre with a clammy heat. But it is not just warmth they are after. They have come for poetry.
I have several theories about why song rewrites work well. Theory aside, people know the tunes and can learn the words. Scholars differ on whether you should make it as simple as possible or let the crowd be the artist by recognizing their ability to learn and perform something a bit tricky. Either way, it's great when songs are repurposed and people get to shout and sing instead of just chanting or listening to speeches.
Tom Loeser is currently the Chair of the UW-Madison Department of Art, and specializes in woodworking and furniture. From his studio on the east side, he produces many functional and beautiful furniture pieces. He’s also a vibrant community member; he crafted the interactive reception desk at the Madison Children’s Museum with his wife as well as the “reading pods” at the Madison Public Library with Dave Chapman.
This weekend marks the one-year anniversary of Donald Trump's inauguration. It also marks the one-year anniversary of the Women's March his election inspired, the largest single-day protest in the nation's history.