A group of women walked from Barisal, Bangladesh to Khulna to join up with the long march that was crossing the city that day. By long, I really mean long: this march traveled a distance of 145 kms, walking most of the way, meeting people, holding street meetings and telling people why the Rampal coal plant shouldn’t be built in the Sundarbans.
From 1998 to 2004, pro-democracy activist Htein Lin was jailed for challenging the military dictatorship in his home country of Myanmar (formerly Burma) in Southeast Asia. Prior to his imprisonment, Lin acted in films and with a theater troupe. While behind bars, he continued to organize performance artworks with his fellow prisoners.
For FX Harsono, art is activism. Over the past four decades, performance, sculpture, and painting have become his means of nonviolent protest against government autocracy and ethnic strife in Indonesia.
Dark Matter is a trans South Asian performance art duo comprised of Alok Vaid-Menon and Janani Balasubramanian, a prominent pair of voices operating at the intersection of the arts and activism.
As the No. 59 bus hurtled down Ratchadamnoen Klang road in Bangkok's Old Town, its passengers diverted their attention from the intense midday heat to a small crowd on the concrete below. About 25 people were marching and chanting, photographers scuttling in front of them.
Global corporation Unilever dumped toxic and contaminated waste behind its thermometer factory located in Kodaikanal, a city in the South Indian state Tamil Nadu. In 2001, once word spread about this breach in environmental precautions, Unilever closed its factory. However, it is yet to adequately compensate its workers, many of whom suffered mercury poisoning. The corporation has also yet to clean up its mess and remediate the land.
The Kodaikanal Won't video by Chennai artist Sofia Ashraf, asking Unilver to 'clean up their mess' in connection with the Kodaikanal mercury dumping, has gone viral with over 783,533 views at the time of writing this, in just over two days. It has been shared on social media by prominent personalities such as Nandita Das, Varun Grover, Vishal Dadlani and was even praised by Nicki Minaj, on whose song Anaconda, the rap is based on.
India Ink [Blog]
The New York Times Global Edition
April 4, 2012
By Neha Thirani
The women of Gurgaon, angered by the recent incidents of violent crimes against women in the outsourcing boom town, are calling for a “Girlcott.”
The “Wearable/Portable Architecture project” discussed the possibilities of having a locale create portable architecture based on the conditions of its environmental, urban and cultural conditions. It is structured to find ways in providing new arguments and sustaining an artistic impetus to our immediate environment.
Dogs featured in one ruse to ridicule the regime—pictures of dictator Than Shwe were hung around the necks of the stray dogs that roam the streets of Rangoon. The pictures, which rapidly found their way onto the Internet, are the work of an exiled Burmese satirist who goes by the name of Mr Creator. Downloaded copies of his pictures and cartoons are popular items among cyber dissidents.
On September 16, 1932, in his cell at Yerwada Jail in Pune, Mohandas Karamchand Gandhi begins a hunger strike in protest of the British government’s decision to separate India’s electoral system by caste.
Shake Girl is a massive collaborative effort between fifteen students and two instructors over the course of one quarter (Winter 2008). These students comprise the first edition of the Stanford Graphic Novel Project -- a group dedicated to acheiving this monumental task on an annual basis.
Opponents of military rule in Myanmar have marched, observed "flower strikes" and sought alternative ways to communicate after most users were cut off from the internet, undaunted by the bloody suppression of protests during the past two months.
In late January 2009, a group of 40 members of right-wing Hindu group Sri Ram Sena attacked women and men in a pub in the Indian city of Mangalore. They were upset with the women for engaging in behavior they found immoral, claiming that the girls were disrespecting traditional Indian values. Video footage of the event spread across Youtube in India, sparking outrage among many at the attack on innocent women.
ipaidabribe.com is an online tool that allows the users to report when they pay bribes, are asked to pay and refuse, and when they find an honest officer.
They have a well designed site with apps for mobile phones, and although it started in India it has now grown and you can select multiple countries on different continents.
Many artists are inspired to bring climate change into their work after a direct experience with it. Catherine Sarah Young hopes her work helps people understand and talk about their experiences with climate change.
A new comic book with a female rape survivor as its "super hero" has been launched to focus attention on the problem of sexual violence in India.
Priya's Shakti, inspired by Hindu mythological tales, tells the story of Priya, a young woman and gang-rape survivor, and Goddess Parvati as they fight against gender crimes in India.
Under the moniker BomBaebs, Pankhuri Awasthi and Uppekha Jain rap about rape, cultural stereotypes, religious biases, and hypocrisy surrounding sexism and gender biases in India. They open the video with a disclaimer, warning that “This video doesn’t have any explicit or bannable content. It is just that the reality for women in India is Explicit.”
In response to a memo from Afghanistan's education ministry, Ahmad Sarmast, the founder of Afghanistan's Institute of Music, began a Twitter campaign with the hashtag #IAmMySong. In response to the hashtag, Afghan girls have taken to Twitter with videos of themselves singing tagged with Sarmast's hashtag and spreading petitions against the ban. The ministry memo banned girls 12 years old and older from singing at school functions.
The Voice of Dissent
“I am not here to entertain you; I am here to disturb you. Those who are here for entertainment, I request them, please go.” It’s unusual, if not rare, for a live performer to begin by saying that to the audience. The compact of patronage that’s implicit is what Sambhaji Bhagat smashes right at the onset of his performance. For him, this art is a quest for the truth that will liberate the people he represents.
Singaporean artist Lee Wen’s series Journey of a Yellow Man (1992–2012), one of his most famous and long-standing performances, was not simply a personal affront, it was a political affront. At the intersection of Asian art history, critical race theory, and migration and diasporic studies, one is never far (enough away) from the chromatic framing of race and ethnicity: yellow race, yellow peril, yellow face, the forever foreigner.
Seeking to use war-time waste for social good, Saught was set up by Pamela Yeo, Adeline Heng and Ng Sook Zhen in December 2010. Based in Singapore, the company uses the metal from de-activated landmines to create pieces of jewellery. The organisation employs citizens from conflict-ravaged regions, offering a source of employment for those who may have lost as a result of the fighting in their nation.