In 2011 a protest movement started in Israel. Citizens expressed their demand for a fair distribution of resources, claiming for the lack of housing and maintenance of the buildings and apartments, due to the privatized housing schemes. In these instances no one feels responsible for maintaining buildings and those in need are forced to live under poor and risky conditions.
An Israeli member of the Taiji Dolphin Action Group, with a red body painting to evoke blood, is curled up on a sheet depicting the Japanese flag, during a January 30, 2014 protest against the killing of dolphins, notably in the Japanese city of Taiji, held outside the building housing the Japanese Embassy, Tel Aviv. Similar rallies outside Japanese consulates and embassies were expected to take place worldwide.
Last Friday, Pablo Picasso’s Buste de Femme, (1943), was put on display at the International Art Academy Palestine in Ramallah. Marking the very first time that the Picasso’s work has been shown in Palestine and as the result of a loan request to the Van Abbemuseum in Eindhoven, this project is the tenacious vision of artist Khaled Hourani (also the Artistic Director of IAAP).
Bil'in is a Palestinian village located 12 kilometres west of the city of Ramallah in the central West Bank. In 2005, the Israeli government began constructing the security barrier in the Bil’in area, and since then approximately 55 percent of Bil’in’s former land has been used for the construction of the Modi’in Illit settlement.
“Baraye,” the anthem of Iran’s “Woman, Life, Liberty” protest movement—a song woven together entirely from a Twitter hashtag trend in which Iranians express their investment in the current protests—continues to unite Iranians in their opposition to the Islamic Republic several weeks after it was first released online.
Regardless of one's spiritual ties (or lack thereof) to Christianity, all artistic activists can take a note or two from Jesus's playbook--the actions of "a radical Mediterranean Jewish peasant building a revolutionary movement two millennia ago."1. Jesus: Media Mogul. Jesus was a master of making a scene, ensuring that news would spread. If he was around today, the media wouldn't be able to get enough of him.
When Behnaz Babazadeh was young, her family moved from Afghanistan to the US. She loved almost everything about her new home — especially America’s amazing selection of candy — but she also loved wearing her familiar pink-flowered headscarf, which she’d grown used to wearing as part of her school uniform in her old home.
There are over 200,000 migrant domestic workers living in Lebanon
today — a large number when you considered that Lebanon’s population is
only a little over 4 million. Most migrant workers live with their
Lebanese employers, cleaning their houses, washing their clothes,
cooking their food and looking after their children. Yet these workers
are not included under Lebanon’s labor laws — they are not entitled to
Mansour began rapping in 2003 and has gained recognition in the Middle East, Europe and the United States for her own songs and collaborations with other artists. She performs wearing a traditional Palestinian thawb and has said that she considers herself to be part of a "musical intifada" against the occupation of Palestine, conservatism and oppression of women.
“I am the dishes, the ironing, I am everything, I am nothing. But remind me: Who are you?” So plays the hook of a new feminist anthem released by the Palestinian rappers, DAM. The video for “Who You Are” plays on sexist attitudes by having men and women switch domestic roles typical in the Middle East, but also familiar across most cultures.
From Women's News NetworkYEMEN: Even though the connection to the
internet has been intermittent at best and often too slow, women
advocates in Yemen are now working to push digital tech as a means to
improve society and gain human rights. As women continue to
battle extreme sexual harassment on the streets of Cairo, Egypt, women
Estados de excepción (States of Exception) is series of participatory cultural interventions created for women to freely and joyfully exercise our rights in public and secure environments, currently being produced in Mexico and abroad.
To honor their battle, Lebanese women's rights organization ABAAD launched a powerful song and music video titled Not Your Honor. The clip was launched on the occasion of the "16 Days of Activism against Gender-Based Violence" initiative which took off on Nov. 25, the International Day for the Elimination of Violence against Women.
Najah al-Bukai cannot forget.
As an accomplished artist in Syria before the war, Mr. Bukai had long thought his photographic memory was his greatest asset, allowing him to recreate scenes on his sketch pads and canvases days, months and even years after he witnessed them. But now, after he has survived two stretches in the Syrian government’s notorious detention centers, his sharp memories only serve to haunt him.
There is no embassy of Iran in Jerusalem.
We ask why.
We are a group of artists living and creating in Jerusalem, trying to create a new reality. one which we can identify with. A reality of dialogue between the people, not dominated by mass media and governments.
The Embassy as we imagine it will be functioning as a bridge for trading ideas, dreams and giving silent voices a sound through art.
For weeks, 14 giant balloons had been mysteriously parked in front of the Sidra Medical and Research Center, a hulking steel, glass and white ceramic building devoted to women’s and children’s health that is to open on the outskirts of this city in 2015.
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For third world artists who are forced into exile, the creativity process could be greatly challenged due to displacement in language, community and history. Many filmmakers in exile tend to look at their connection to the homeland in strictly political terms, or give up making films overall.
I was 24 years old. We were in danger. The Israeli planes were flying raids overhead. And I was designing posters." Hosni Radwan won't easily forget the conditions in the Beirut offices of the PLO Information Department, as an exhibition of the work it produced opens in London.
In 2007, anonymous French photographer JR embarked on the Face2Face project - the largest unauthorized photo exhibition ever conceived. JR and his collaborator Marco engaged Israelis and Palestinians employed in the same profession to be photographed making funny faces. They then enlarged the photos to grand proportions and wheat pasted juxtaposed portraits onto both sides of the security Separation Wall and in surrounding cities.
A group of Syrian artists in Damascus has created the world's biggest mural made of recycled materials, a rare work aimed at brightening public space in a city sapped by war and sanctions.
The brightly coloured, 720-sq metre work was constructed from aluminum cans, broken mirrors, bicycle wheels and other scrap objects and displayed on a street outside a primary school in the centre of the Syrian capital.
The streets of the Cairo suburb Manshiyat Naser, nicknamed "Garbage City," are lined with trash, and the people who live there — Coptic Christians who make their living sorting through it and recycling anything they can — are called zabaleen, or "garbage people."
#ChallengeAccepted, also known as the Challenge Accepted campaign, is an Instagram tagged challenge as well as an awareness campaign on empowering women involving sharing posts of black-and-white selfies.
The development of the Nights from the oriental oral and literary traditions of the Middle Ages into a classical work for Western readers is a fascinating one. The notebook of a Jewish book dealer from Cairo around the year 1150 contains the first documentary evidence for the Arabic title. The oldest preserved manuscripts, comprising a core corpus of about 270 nights, appear to date from the 15th century.