During the 2020 and 2021 social protests in Chile, Colombia, and Peru, Latin American fans of K-pop, Korean popular music and culture that mixes rhythms, styles, dance routines and has a defined aesthetic, went from using social networks to support their favorite artists to using them to sabotage the hashtags of conservative influencers that discredited the mobilizations.
Warscape Sonata is a transmedia project that documents and perform audiovisual information related to the current drug war in Mexico. Twitter hashtags, youtube viral videos and mass media are used as creative sources to document the militarized Mexico.
Many artists are inspired to bring climate change into their work after a direct experience with it. Catherine Sarah Young hopes her work helps people understand and talk about their experiences with climate change.
New York Times
January 28, 2012
By SIMON ROMERO
SÃO PAULO, Brazil — This mega-city’s authorities have waged war for years against what they call “visual pollution,” banning billboard advertising, demolishing abandoned skyscrapers and planning to raze concrete eyesores like the elevated highway known as the Big Worm.
The following is a description of the action that Huffington post published online on 6/25/2011:
"Student demonstrators took to the streets of Santiago dressed as goblins and ghouls from Michael Jackson’s 'Thriller' video in their latest spirited pursuit of higher education reforms."
The Eye that Cries (El Ojo que Llora, in Spanish) is a memorial that was born as a private initiative designed to honor the thousands of victims as a result of terrorism in Peru, to strengthen the collective memory of all Peruvians and to promote peace and reconciliation in the country.
The Canadian artist collective General Idea found its drive in the AIDS epidemic, becoming aesthetically and conceptually refined in the in the 1970s and ’80s, after long forays into absurdity and performances evocative of Dada and Fluxus.
From a distance they look like supermarket promotion ads, but up close, the text says the reverse: it details the skyrocketing food prices.
This is the proposal of the action “Bolsocaro”, which spread posters (those known as lambe-lambes) by walls in different regions of the São Paulo capital accompanied by phrases such as “It’s very expensive”, “It’s in Bolsonaro’s account” and “This account it is not ours.
SAO PAULO, May 16 (Reuters) - At one of Latin America's largest commuter bus terminals in Brazil's gritty downtown Sao Paulo, 84-year-old Rerizenil de Paula Santos waits on a bus decorated with neon lights and bright graffiti amid the hustle and bustle of rush hour.
Doris Salcedo talked extensively with victims of the violence in Colombia. For the project titled Unland she spoke specifically with children who had witnessed the murder of their parents. This piece was a poetic response and representation of their testimony. Salcedo combined halves of tables together to make a whole. In the seam where the tables joined Salcedo meticulously sewed the tables together using white silk thread, dark hair and bone.
"A week-long party characterizes Brazil’s Carnival, the Mardi Gras of the southern hemisphere. Celebrations and parades are held throughout the country, most notably in the city of Rio de Janeiro and the Brazilian states of Bahia and Pernambuco. Carnival celebrations vary in length and content, depending on the area.
The Haitian Creole word "konbit" denotes the idea of similar talents joining together to work towards a common goal. The founders — a group of photographers, educators, and artists — came up with the idea for Fotokonbit a few years ago to "empower Haitians to tell their own stories and document their community", but it was the 2010 earthquake that gave the group new urgency.
From a Universe of Trash, Recycling Art and Hope
By STEPHEN HOLDEN
“We are not pickers of garbage; we are pickers of recyclable materials,” Tião, an impoverished Brazilian catadore, or trash picker, declares to a talk-show host in Lucy Walker’s inspiring documentary “Waste Land.”
Faced with a lack of prosecution of those accused of crimes against humanity committed during Argentina’s military dictatorship, family members and descendants of the country’s estimated 30,000 disappeared took action.
Five hundred volunteers with shovels gathered at a huge sand dune on the outskirts of Lima, Peru, and over the course of a day moved it by several inches. Alÿs developed the idea after first visiting Lima in October 2000. The political context was inescapable: “This was during the last months of the Fujimori dictatorship. Lima was in turmoil with clashes on the streets, obvious social tension and an emerging movement of resistance.
MEXICO CITY — Of the half-dozen pieces that form Tania Bruguera’s series “Tatlin’s Whisper,” the one that the Cuban government silenced may have resounded most.
Over the course of 3 years, from 2006 until 2009, the production team behind the film Wasteland (2010), also known as "Lixo Extraordinário" followed Brazilian, Brooklyn-based mixed-media artist, Vik Muniz, as he traveled back to Brazil to create self portraits with the catadores (tr. garbage pickers) of Jardim Gramacho, one of the largest city dumps in the Americas.
Less than a month after Mauricio Macri's inauguration as president of Argentina in December 2015, a manual for micro-resistance was released online to guide resistance against Macri's election and policies. The manual suggests specific actions that people can perform in their everyday lives to build opposition against the new president.
FloodNet was a conceptual artwork and a tool for online collective action.
Developed by the collective Electronic Disturbance Theater (EDT), it took the form of a Java applet that allowed users to send useless requests or personalized messages to a remote web server in a coordinated fashion, thereby slowing it down and filling its error logs with words of protest and gibberish—a kind of virtual sit-in.
Spanish organization the ANAR Foundation (Aid to Children and Adolescents at Risk) releases a campaign that takes advantage of the process of lenticular printing to send an offer of help to abused children without alerting their abusers, even if they’re walking together.
Lenticular printing is a process that allows for different photos to be seen depending on the angle the image is viewed from.
Cheril Linett is a female artist from Chile, with a background in performance art and stage performance, who primarily focuses her artwork on feminist issues in Chile, especially ones involving violence, murder, hate crime and different kinds of oppression and assault, but also creates artwork reflecting issues in other parts of Latin America.
In Women Are Heroes, JR introduces women who sometimes look death in the face, who go from laughter to tears, who are generous, have nothing and yet share, who have had a painful past and long to build a happy future.
Palas por Pistolas initiated in the city of Culiacán, a city in western Mexico with a high rate of deaths by gunshot. The botanical garden of Culiacán has been comissioning artist to do interventions in the park and my proposal was to work in the larger scale of the city and organize a campaign for voluntary donation of weapons.