Caleidoscópica Violeta, is a creative space for reflection, dialogue, critique, and praxis of pop contemporary feminism. It is also an initiative that seeks to reflect on the role of women in the history of modern art. Historically, the role of women in art has been stolen by the patriarchy. Recognizing this as a feminist artist, I propose this festival as a way to open new spaces for women protagonists in the arts.
The streets of Santiago are once again alive with the spirit of revolution. For weeks now, working-class Chileans have occupied national monuments and blocked major intersections in protest of widespread inequality. They desire full reform — a request so long in the making that it is practically tradition. The country’s floundering political elite offer half measures while dispatching riot police and the military.
In time for the 30th Anniversary of the famed EDSA People People Revolution, a two-day pop-up museum in Camp Aguinaldo serves as a vivid reminder of a significant period in Philippine History.
The interactive museum, which is composed of nine halls, recreates the martial law victims’ struggle for democracy, including the events that led to the bloodless revolution in 1986.
Comic artist Huda Fahmy has been breaking down walls with her hilarious comic "Yes, I'm Hot in This."
In her own words, "What started as my therapeutic way of dealing with the Islamophobia and prejudice I encounter on the daily has now turned into this amazing opportunity to tell the story of the American hijabi."
At ‘Arcadia Earth,’ Dazzle Illuminates Danger
Using augmented reality, virtual reality and installations of light and art, the creators of this pop-up exhibition hope to inspire action on climate change.
By Laurel Graeber
Oct. 23, 2019
The creators of “Arcadia Earth” want to awaken your conscience. But they also plan to make that guilt trip extraordinarily fun.
For an art project about the effects of white privilege and the disturbing ways in which its effects are built into our society, Risa Puno’s The Privilege of Escape is a surprisingly fun, even enjoyable experience.
The Protest Banner Lending Library is a space for people to gain skills to learn to make their own banners, a communal sewing space where we support each other’s voices, and a place where people can check out handmade banners to use in protests.
Festival “WakEUp!” (organized by “Heartefact”) happened at several locations, and included film and exhibition program. Festival originated from the need for a reaction to the present moment refugee crisis and the situation in the world, began on the 7 th of December at Gallery “G12 Hub” in Belgrade with two days performance that was dedicated to the current problem of refugees and their historical destinies.
In November 2015, Chinese LGBT activist Chen Qiuyan met with government officials in Beijing after months of campaigning to have the Ministry of Education remove textbooks which identify homosexuality as a mental disorder.
In 2001, the Chinese Society of Psychiatry removed homosexuality from its list of recognized mental disorders, after the Chinese government decriminalized consensual homosexual acts in 1997.
"MASK" is an art exhibition that explores the uses and meanings of masks, and ones feelings about them. Masks throughout history have taken many forms and have served many purposes. They have been used in construction, scientific research, technical manufacturing, medicine, the theater, and warfare.
“The real wealth of the Nation,” marine biologist and author Rachel Carson wrote in her courageous 1953 protest letter, “lies in the resources of the earth — soil, water, forests, minerals, and wildlife… Their administration is not properly, and cannot be, a matter of politics.” Carson’s legacy inspired the creation of Earth Day and the founding of the Environmental Protection Agency, whose hard-won environmental regulations are now being undone in the
Mary Fisher wears many hats: Artist, author, and HIV/AIDS activist are just a few. The latter is perhaps what she's known best for—her influential speech at the 1992 Republication National Convention is regarded as one of the greatest American speeches of the century, spurring a push toward treatment and compassion towards those who are HIV-positive.
The group Art Not Oil did a campaign to raise awareness about the oil industry, and their funding of Art. "Art Not Oil has campaigned against Big Oil cultural sponsorship since 2004.
The Bread and Puppet Theater was founded in 1963 by Peter Schumann on New York City’s Lower East Side. Besides rod-puppet and hand puppet shows for children, the concerns of the first productions were rents, rats, police, and other problems of the neighborhood. More complex theater pieces followed, in which sculpture, music, dance and language were equal partners. The puppets grew bigger and bigger.
The Amplification Project: Digital Archive for Forced Migration, Contemporary Art, and Action (https://theamplificationproject.com) is a community-led participatory public digital archive to which any artist and activist can document, preserve and share their work inspired, influenced, or affected by forced migration.
Share Your Water Story invites every global citizen to participate in a creative conversation around the different ways in which water impacts our lives. The project encourages people to contribute original expression of any kind via online platforms on the global justice issue of water and sanitation.
Some 70 or 80 local activists, politicians and other concerned citizens gathered outside Irvington Village Hall Sunday evening, two days after the release of gut-wrenching video of the murder of 29-year-old Tyre Nichols at the hands of policemen in Memphis.
At the peak of her career in 1976, Georgia O’Keeffe refused to lend her work to a pivotal exhibition in Los Angeles, “Women Artists: 1550 to 1950.” It was one of a wave of all-female shows — some 150 — that decade to spotlight artists largely ignored by major museums and galleries. But O’Keeffe, the most famous female artist of her day, saw herself in a different category — “one of the best painters,” period.
Counterspace is an independent curatorial platform functioning as the first decolonial thinktank mapping cultural activism worldwide. It shapes collectively decolonial toolkits with common tools and resources, and a global directory browsable by continent, praxis, and social construct, as a Beuys-inspired ‘social sculpture’ revisited, and an alternative map of the universe.
The enforcement of city and state law pertaining to graffiti, advertising, and other signage has enormous power to visually shape public space. In New York City, enforcement is heavily skewed to ignore illegal commercial advertising, while simultaneously aggressively targeting graffiti and, in some cases, symbols of dissent.
On Sunday April 3rd, Art Not Oil coalition member group BP or not BP? occupied the Great Court of the BP-sponsored British Museum with a 'disobedient exhibition'. Called 'A History of BP in 10 Objects', the exhibition featured artifacts submitted by frontline communities around the world who are fighting back against the impacts of BP's operations.
Ah, the unsolicited dick pic. Technology has made it all too tempting for men's penises to pop up on a woman's phone while she's reading on the train or walking home from work. This is a fairly recent invention, because who would've taken their rolls of film to the local drug store to get their dick pics developed?
An oversized facsimile of Rush poppers, tipped over, pouring out its viscous contents: this example of underground gay iconography blown up to almost belligerent proportions perfectly represents the aims of Party Out of Bounds: Nightlife as Activism Since 1980, a new exhibition at La MaMa’s La Galleria. The group show, curated by Emily Colucci and Osman Can Yerebakan, gathers together works by a small yet distinct menagerie of queer artists.
They’re real fashion police: Fed up with sloppy cops, the NYPD has moved to update its dress code, banning shorts on transit beats and white turtlenecks while on patrol.
The department’s updated style guide, set to take effect next month, also instructs patrol officers not to wear tactical cargo pants and reinforces longstanding guidance including a ban on shoelaces that are not black.