“The Garment Worker” an interactive installation piece that focuses on the daily life of a garment worker and the hardships she/he encounters working in a sweatshop. The installation in Kang Wei Laundromat simulated the sounds, motions and experiences of a garment factory while providing testimonials and information from immigrant workers on their sweatshop conditions.
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This was a little installation that took place in the beauty of West Texas. The goal was to reorientate the site specific Prada Marfa into something more relevant, TOMS Marfa. Prada Marfa, being in the middle of nowhere, a structure placed as sort of a apocalyptic trophy for the high art world meant to challenge time; TOMS Marfa was to accelerate that vision with 2014 subject matter.
Media artist Joseph DeLappe announces the completion of “The Drone Project: A Participatory Memorial” on the campus of Fresno State University in California.
The Milosevic regime ruled over Serbia and Yugoslavia for about 13 years. To maintain control, the Milosevic regime was infamous for arbitrary arrests, beatings, imprisonment and even murder of avid opponents.
Felix Gonzalez-Torres produced meaningful and restrained sculptural forms out of common materials. “Untitled” (Portrait of Ross in L.A.) consists of an ideal weight of 175 pounds of shiny, commercially distributed candy. The work’s physical form and scale change with each display, affected by its placement in the gallery as well as audience interactions.
“Gravity of Equilibrium” revolves around Mass Shootings in USA. Mass shootings and guns are an incredibly divisive topics, one that is nearly impossible to engage opposing viewpoints in a discussion about. The majority of gun related debates devolve into charged arguments with parties feeling threatened. This effectively creates an environment where new perspectives and inputs are unable to be processed.
An exhibition of textile-based work by disabled artists, organised in protest at the inaccessibility of an exhibition by a popular artist, when it came to Leeds.
For an art project about the effects of white privilege and the disturbing ways in which its effects are built into our society, Risa Puno’s The Privilege of Escape is a surprisingly fun, even enjoyable experience.
This protest installation was first used in 2016 at Standing Rock when the community banded together to protect the Missouri River from a Dakota Access Pipeline.
On August 14th 2014 several prominent statues within the city centre and the southern suburbs of Cape Town got redressed in green blankets, equipped with miner gear or carrying grocery bags. The statues – mainly of which represent colonial figures – were redressed in light of what has come to be known as the Marikana Massacre: the shooting of 34 miners by the local police force of Marikana, South Africa on August 16th, 2012.
The war against London's "anti-homeless" spikes escalated today from sign-waving to radical criminal action In the small hours of the morning, some activists dressed as builders poured concrete over the metal spikes outside a Tesco Metro on Regent Street, before vowing to strike again.
Walking the rows of shoes—favorite slippers, old Army boots, gold stilettos—it’s the baby shoes that stop you cold. Shoes began to fill a plaza opposite Puerto Rico’s Capitol building, and by Sunday morning, there were more than 3,000 pairs, a growing memorial to the roughly 4,645 people estimated to have died in the aftermath of Hurricane Maria.
In 2010, the College Republicans used tens of thousands of dollars from student fees to bring Ann Coulter to speak at the University of Wisconsin-Milwaukee.
"ALBUQUERQUE — For a brief moment — just a half-hour over the weekend — a simple piece of playground equipment served as a bridge between the United States and Mexico."
“Actions that take place on one side have a direct consequence on the other side,” Ronald Rael
El Anatsui, a visionary originally from Ghana, blends discarded materials into breathtaking sculptures that, in themselves, advocate for change and prompt us to reimagine our relationship with the environment.
Blair Holt was shot and killed while he shielded another classmate from the bullets a gunman sprayed on a CTA bus in Chicago in 2007. His father is a police officer and his mother is a fire department chief, and that’s what they had taught him to do.
On Sunday April 3rd, Art Not Oil coalition member group BP or not BP? occupied the Great Court of the BP-sponsored British Museum with a 'disobedient exhibition'. Called 'A History of BP in 10 Objects', the exhibition featured artifacts submitted by frontline communities around the world who are fighting back against the impacts of BP's operations.
The inspiration for the creation was the Common Snapping Turtle. A big shout-out to local member, Kristin Rubin and local college students, Sarah Lockhart and Alanis Gonzalez, for their assistance in the construction of the artwork.
A young man melting into a puddle of himself is something you don’t see everyday, much less in a busy public square. Yet this humourous but surprisingly effective spectacle is the latest effort by the Red Cross of Argentina to raise awareness about climate change.
The “Hyperbolic Crochet Coral Reef,” a unique exhibition and thought-provoking fusion of science, conservation, mathematics, and art, is on display in Washington, D.C., at the Smithsonian’s National Museum of Natural History. By engaging local communities to crochet coral reefs, the exhibition celebrates the reefs' beautiful diversity and speaks to the urgent need to protect these vanishing ecosystems.
A couple of weeks ago, a group of activists working with Rainforest Action Network’s Energy and Finance campaign hit the streets of San Francisco to bring a little truth about Bank of America’s misdeeds to its customers—not in the lobbies of the bank’s local branches, but at its ATMs throughout the city.
In 2015, Walter Scott fled for his life, stalked by a policeman who then cold bloodedly shot him in the back. We all saw the video and in response to this murder I made the artwork, “A Man Was Lynched by Police Yesterday.” This simple banner, printed with the eponymous words, is an update of an iconic flag that the NAACP flew from their national headquarters window in New York in the nineteen-twenties and thirties the day after someone was lynched.