On September 19,2015 in Paris, 140 animals sailed up the River Seine to bring awareness to climate change, ahead of the COP21 UN meeting in December. French artist Gad Weil created this pop art piece from fully recyclable acrylic sheets, and installed the animals on top of a barge in front of the Eiffel Tower.
Alzayer put cages around Boston's "Make Way for Ducklngs" statues, separating the baby duckling statues from the mother. The original statues were created in 1987 by Nancy Schon and the mallard family is based on the children's book by Robert McCloskey.
Flushing Creek is so hidden by industrial sites and highways, it’s almost invisible to those passing through the Flushing neighborhood of Queens. “I lived in Flushing my whole life and didn’t know that I lived near waterways until I was 20 years old,” Cody Ann Herrmann told Hyperallergic.
A young man melting into a puddle of himself is something you don’t see everyday, much less in a busy public square. Yet this humourous but surprisingly effective spectacle is the latest effort by the Red Cross of Argentina to raise awareness about climate change.
Faith Ringgold, the 93-year-old doyenne of African American art, a trailblazing master who foreshadowed the recent rise of art activism and Black figuration, is having her first solo museum show in Chicago.
For one artist, the ugly and the beautiful are equivalent concepts. In 2018, designer and artist Choi Jeong Hwa featured an exhibition titled 'Alchemy' at The Artling where he uses recycled and non-biodegradable materials in his work that he has been collecting for 30 years, such as household trash, glass, and steel. 'Dandelion' is one of his masterpieces installed in the outdoors in Seoul, South Korea.
The California Department of Corrections (CDC) has unveiled a new billboard campaign to defend the domestic spying operations of the National Security Agency (NSA). On July 23, 2013 the CDC successfully apprehended, rehabilitated and discharged a billboard at Bayshore Boulevard near Sunnydale Avenue in San Francisco. The CDC released the corrected ad one day before a U.S.
In 1994, the human rights and environmental activist KenSaro-Wiwa was arrested and accused of incitement to murder. Eighteen months later, following a show trial condemned by human rights organisations, he and eight other leaders of the Movement For the Survival of the Ogoni People were executed by hanging, an act that propelled the story on to the front pages of newspapers worldwide.
"A Tanzanian-born, Preston-based artist, curator and cultural activist, Lubaina Himid aims to 'fill in the gaps of history', giving representation to marginalised histories and to what was previously invisible or silenced. Significantly, Himid's art reinserts black narratives into the forefront of cultural practice and conversation.
If the way to one’s heart really is through the stomach, Rirkrit Tiravanija must have more than his share of admirers. Now at GAVIN BROWN, the Buenos Aires-born artist with a history of dishing out tasty edibles in his exhibitions invites viewers to enjoy a bowl of soup in his interactive show, Fear Eats the Soul.
Tiny Pricks is a public art project created and curated by Diana Weymar. Contributors from around the world are stitching Donald Trump’s words into textiles, creating the material record of his presidency and of the movement against it. Tiny Pricks Project holds a creative space in a tumultuous political climate.
“My intention was not to disappear in the environment but instead to let the environment take possession of me” Said Liu Bolin. With his strong photography, Bolin vanishes into the city, creating a powerful statement about our relationship, as humans, to our surroundings.
An artist who sparked significant awareness regarding the issues of climate change was Olafur Eliasson. Eliasson’s main objective has been to catch people’s attention and make them feel emotions and care about climate change because many people do not connect to the effects of climate issues as they do with other controversial impacts solely because the effects are not played out directly in front of them.
After researching several potential sites as far afield as Baltimore, Eisenbach and Ruppert “became attracted to the library because the plaza has never been used,” Eisenbach says, citing the fact that the library’s second-level entrance onto the plaza is locked.
On September 5th, 1991, I put a giant condom over Jesse Helms’ house. Why? Because, as the condom said, “Helms is deadlier than a virus.” Senator Jesse Helms was one of the chief architects of AIDS-related stigma in the U.S. He fought against any federal spending on HIV research, treatment or prevention.
Per os is a research-based art project about the pharmaceutical companies' role in our society, psychiatry and healthcare. Using surveys I have conducted over the past three years and a large amount of anger at how wrong and corrupt the system is, I would like to interpret this research artistically in order to develop material for an exhibition and interventions.
In state capitals and street protests, women’s rights activists have been wearing red robes and white bonnets based on “The Handmaid's Tale,” the 1985 novel that is now a series on Hulu.
Silent, heads bowed, the activists in crimson robes and white bonnets have been appearing at demonstrations against gender discrimination and the infringement of reproductive and civil rights.
The following description is taken from the website of Aljazeera America (find link below):
In early December, Ju Hyun-u, a student at South Korea’s elite Korea University, taped up two white sheets filled with his handwriting on a campus bulletin board. His message began with a question, “Are you doing all right?”.
In the series The History of Korean Women, Cho's suggests that the cost of that gain cannot be paid for by a cultural amnesia masking the pain and suffering of previous generations. Here the semantic emphasis is on the official - the status of women and their contribution to the survival and growth of Korea. Their efforts have gone uncelebrated due to their relegated status within a five hundred year old social system.
Filip Custic (Santa Cruz de Tenerife, Spain 1993) works across photography, performance and video to address themes around identity, body and our relationship with technology. Mirrors and screens are a recurring features, a reference to our age of image-obsession and selfies, and Custic also uses symbols, references to science, and art-historical borrowings in his art.
Xu Bing, the internationally acclaimed Chinese artist, has brought his “Phoenix” installation to the majestic nave of the Cathedral Church of St. John the Divine on Manhattan's Upper West Side. The two phoenixes, both Feng, the male, and Huang, the female, faced the decoratively carved bronze doors of the Cathedral, as if poised to take flight in the middle of the night.
For this edition of ADE, Stichting NDSM-werf invited art- and activist group Tools for Action + Floor to use their terrain as a public practice space for RÆV REHEARSAL. They invite the public to rehearse new forms of assembly. With a Bluetooth speakers system, floating inflatable sculptures, and a minimalist techno beat, they move through the city like a radiating dancing swarm.
Two children stand back-to-back, but they are facing two very different Chicagos. One child blows bubbles in a park under blue skies. The other wears a gas mask against a backdrop of scrap metal and billowing smokestacks.
Civil activists set up a giant loaf of bread on the small square of a bus stop near the Cathedral Store in Center to remind passersbys that a large number of their fellow citizens live below the poverty threshold.